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Word: rauschenberg (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...12th. The truism that the artist is concerned with society serves as an excuse to bring together some of the best realistic paintings -and a few not so realistic-of this century. The works range from Ben Shahn's famed The Passion of Sacco and Vanzetti to Robert Rauschenberg's tribute to President Kennedy, Buffalo 1964. Through April...

Author: /time Magazine | Title: Art: Art in New York: Mar. 27, 1964 | 3/27/1964 | See Source »

...clattering symphony including Chryssa's Boozooki, Bruce Connor's Tick Took Jelly Clock Cosmotron, Allan d'Arcangelo's Metronomes, Richard Stankiewicz' Storm Gong, George Ortman's Heartbeat, Alexander Calder's Three Gongs And Red, Man Ray's Indestructible Object, Robert Rauschenberg's Dry Cell, Jean Tinguely's Radio Drawing. Through...

Author: /time Magazine | Title: Art: UPTOWN: Jan. 17, 1964 | 1/17/1964 | See Source »

...ROBERT RAUSCHENBERG-Castelli, 4 East 77th St. Newest turn in the Pop cycle is the technique of enlarging colored photographs and transferring them to canvas by a silk-screen color separation process. Rauschenberg laces it all together with splotches of paint; the result is something like a battered billboard. Through...

Author: /time Magazine | Title: Art: Art in New York: Nov. 8, 1963 | 11/8/1963 | See Source »

...have recoiled from most of the choices. Although such top representational painters as Edward Hopper and Andrew Wyeth sent comfortably realistic scenes to settle the eye, there was plenty else to make it boggle, from Barnett Newman's eccentric, hard-edge stripes in his Black Fire to Robert Rauschenberg's Trophy II, a pop art combine in four pieces equipped with a real glass of water on a shelf with a spoon kerplunk in it. The only true portraits, surprisingly, are Abstract Expressionist Willem de Kooning's Marilyn Monroe and Pop Artist James Rosenquist's Portrait...

Author: /time Magazine | Title: Religion: The Lively Answer | 9/20/1963 | See Source »

Which Is the Flag? Jasper Johns, 32, is, along with Rauschenberg, a dean of the movement. His paintings have a beauty that is rare in pop art. In his early flag paintings, he was concerned with the elusive borderline between reality and art, that moment of ambiguity when an object could be either or both. The flag posed a problem: "You don't see it because you are busy knowing it is a flag." The problem was to turn it into "a visual situation only. How could it be altered so that it could become a painting?" Sometimes, Johns...

Author: /time Magazine | Title: Art: Pop Art - Cult of the Commonplace | 5/3/1963 | See Source »

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