Word: rauschenberg
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...Kanfer assembled his story, Artist Robert Rauschenberg was observing footage from 35-mm. reels of the movie as it was cranked through a moviola machine. Single frames were chosen, blown up into black-and-white prints, and then transferred to silkscreens; he treated the final image with colored inks and paints, including splotches of bloodlike watercolor. Altogether, he made nine montages before the editors made their final choice. Though such characters as Bonnie and Clyde are not familiar images in Rauschenberg's art, his technique on TIME'S cover is. It will be immediately identified as a "Rauschenberg...
...artists who came after behaved like delighted, bright-eyed children let loose in a supermarket. They too liked their objects big. Andy Warhol enlarged a Campbell soup can and made it an object of veneration; Tom Wesselman celebrated bathrooms and kitchens; Robert Rauschenberg painted his own bed, made a sacred relic out of a stuffed goat with a tire round his middle and walked off with first honors at the 1964 Venice Biennale. Onetime Sign Painter James Rosenquist composed his images of the modern U.S.A. -from hair dryers to atomic bombs-on a canvas titled F-lll, which measures...
...hire a theater to stretch out her 30-ft.-high banner painting for Expo 67. Ellsworth Kelly confesses that he never saw one of his large canvases all in one piece until it was put together in an exhibition. Some artists, such as Jasper Johns and Robert Rauschenberg, who work on the same billboard scale as James Rosenquist, have bought their own buildings...
Nina Stevens, as it happens, is not a partisan of Russia's equivalents to Rauschenberg or Julio Le Parc. Her preferences center around a group of Moscovites over 30 whose academic indoctrination was interrupted by World War II. They work as book illustrators or in publishing houses. Their paintings are frequently primitive, but often by design as well as accident, since many of them are familiar with the work of French Brutalist Jean Dubuffet and Mexican pre-Columbian art. Above all, they hark back to the powerful, stylized tradition of Russian icon painting that flourished between the 15th...
...painters have seen the U.S. from colonial days to the present is recorded in 150 works from the recent Whitney Museum retrospective "Art of the United States-1670-1966." The show also includes previously filmed interviews with such contemporary artists as Andrew Wyeth, Edward Hopper, Jack Levine, Robert Rauschenberg and the late Stuart Davis...