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...early paintings by Kaprow, both of which reveal his abstract expressionist training: "Hysteria," a visually assaulting assemblage of painted fragments and mirrors, and "Rearrangeable Panels," a series of nine wall-sized panels which have been presented in any number of concatenations. Though each panel is derivative of Robert Rauschenberg in painterly technique and choice of materials (plastic fruits, leaves, mirrors, colored lightbulbs), the piece as a whole reveals an attitude of Dadaist whimsy in the operation of chance, in the perpetual disruption of predetermined order. Also by Kaprow are a series of photographs and instruction sheets from past happenings...

Author: By John Hulsey, CONTRIBUTING WRITER | Title: Dada's Children: Fluxus Redux | 5/5/2000 | See Source »

...number of young, bold American artists. I, a former billboard painter, was one of them. Leo brought an Old World appreciation, but an understanding of the American spirit, to New York City and the world. In the late '50s and '60s, with his first wife, Ileana Sonnabend, he discovered Rauschenberg, Johns, Stella, Lichtenstein, Bontecou and others. I had joined Bellamy's Green Gallery, but Leo brought visitors to my loft, including the famous collector Count Panza di Biumo. In 1964 I joined the Castelli Gallery and had my first show with Leo in 1965, with my 86-ft. painting...

Author: /time Magazine | Title: Eulogy: LEO CASTELLI | 9/6/1999 | See Source »

...under the impression a century covered 100 years. Yet TIME seems to think the past 10 are the most important. I should have known the issue would be a silly, pointless exercise when a world-famous artist, Robert Rauschenberg, taped together some file photos and called it a cover! I hope he had the good grace to donate his fee to charity. CHARLES GLASBERG New York City...

Author: /time Magazine | Title: Letters: Jul. 5, 1999 | 7/5/1999 | See Source »

...video artist Tony Oursler has annexed that space for a talking-light-bulb piece. "We have yet to have an artist who comes here who doesn't have a big idea," says Thompson. "These buildings have a heft that invites large gestures." It's not just new projects. Rauschenberg chose to display his biggest work in a gallery at Mass MoCA that is about the size of a football field. Even in art, size matters...

Author: /time Magazine | Title: Art: Going For Mass Appeal | 6/14/1999 | See Source »

...kisses the floor. Artist Lawrence Weiner chooses words, the color of the paint and the way the text should be painted on the wall, and has the gallery do the work. Ronald Kuivila's Visitations is an audiotape of interviews, songs and the noises of a former factory. Robert Rauschenberg's 1/4 Mile or 2 Furlong Piece is a work in progress that currently has 195 parts--some visual, some aural--and measures nearly 1,000 ft. in length. Let's leave aside discussion of the value of these examples of contemporary art. Before people can judge them, they have...

Author: /time Magazine | Title: Art: Going For Mass Appeal | 6/14/1999 | See Source »

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