Word: rauschenberger
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...given to many artists to find themselves shoved to the periphery by movements they helped provoke, but that is what happened to Larry Rivers. One critic's claim that "the innovations of Rauschenberg, and to a lesser degree Johns and the Pop artists, are incomprehensible without Rivers" is plainly excessive. Nonetheless, Rivers built an important bridge between the painterliness and "touch" of Abstract Expressionism and the mass imagery of Pop-pinups, photos, print, mixed media...
...looked vaguely suspect to some critics. The ironical love with which he raided the beaux-arts tradition for such images as Napoleon, a reworking of David's 1812 portrait of the hero, struck them as literary but in the wrong way: not philosophical enough, unconcerned (unlike Johns and Rauschenberg) with the semantics and sign structure of art. The new celebrity artist was the cool and silent Andy Warhol, not the hot and copious Rivers. Any artist who is as unabashedly a romantic as Rivers, and puts his lifestyle so much on the line, becomes an open target. The tendency...
...artists remain, straggling under spotlighted trees across the shaven lawns of Philip Johnson's 32-acre New Canaan precinct. All the millionaires and collectors have gone home. Andy Warhol, in black jacket and silver wig, looking like the Angel of Death quitting Jerusalem, left ten minutes ago. Robert Rauschenberg lingers on, and though a lady art critic is locked in Johnson's subterranean painting gallery with a young artist who is slapping her around for undetermined reasons, the place is quiet. Above the Morrises, Judds and Oldenbergs, lights still burn in the new sculpture gallery, the completion...
...President's two brothers. "It's purely interpretive. I have nothing to equate it with. I don't know whether it is like him or unlike him." Still, the young artist must be doing something right: he has been commissioned by NASA authorities to join Robert Rauschenberg, John Meigs and William Thon at Cape Kennedy to sketch his impressions of this week's scheduled Apollo 11 blastoff to the moon...
...very important side of modern art." No other artist has ever utilized the unconscious as brilliantly as he. Full Fathom Five is not the largest or most significant Pollock at the current exhibition, but it has a special fascination, for it contains in embryo the later paintings of Robert Rauschenberg and Jasper Johns. Its panorama of steely swirls is underlaid with nails, cigarettes, tacks, buttons and other detritus-yet all made lovely, as it were, by lying drowned at the bottom of a sea of paint, vividly evocative of Ariel's song in The Tempest...