Word: rauschenberger
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...could relate him to that great American junkmeister Robert Rauschenberg, his contemporary, except that the whole tenor of his imagination was different, being based on handmaking, on high-intensity craft, rather than on semirandom assemblies of street detritus. Which is not to say that Westermann was a better or a worse artist than Rauschenberg--just wholly different, not least because of the dark side of his work...
Dyslexics, however, often can't get past the first step--breaking written words down into phonemes. This in no way reflects on their intelligence. Artist Robert Rauschenberg, actor Tom Cruise and Kinko's founder Paul Orfalea are just three of countless famous and successful dyslexics. Historical figures who may have had the disorder include the poet W.B. Yeats and Leonardo da Vinci. Nonetheless, it can be a lifelong challenge...
This Minneapolis, Minn., museum showcases relationships between the performing and visual arts, with an emphasis on such 20th century artists as Chuck Close, Robert Rauschenberg and Kara Walker...
...after contacting a professional taxidermist as part of the project, she's become enamored with taxidermy itself-so much so that she intends the book to be taxidermic in form as well. Inspired by the burst stuffing of a deer on display in the Peabody Museum and some prints Rauschenberg did on deconstructed animal feed bags, Hulsey envisions a thinnish book whose unfolding mix of delicate vellums and sturdy opaque pages in sensual pinks and browns will mimic the layers of a dissected animal. Hide, epidermis, sinew and flesh will be rendered palimpsestic and textual, echoing the blurry, layered nature...
...then, within a few short decades, these titans proved wholly ephemeral. Their achievement was wiped out by a couple of dozen scrags with names like Cezanne, Matisse, Picasso, Malevich, Beckmann, Rauschenberg, mouthing their bizarre and (at first) peculiar and unpopular visual dialects. Over their bones rose a new edifice of taste enforcement, even more coercive than the old--the transnational bureaucracy of late modernism, staffed by as pompous a set of dullards as ever infested the shorter corridors of cultural power in 1900, all bombing on about their radical credentials. "The accursed power based on privilege," as Hilaire Belloc wrote...