Word: rauschenberger
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Dates: during 1960-1960
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...moons and seas by Max Ernst, a geometric Anthony and Cleopatra by Philadelphia-born Man Ray, a couple of dreamy street scenes by Italy's Giorgio de Chirico. Among the younger artists, none were equal in quality, and some seemed to be more action painters than surreal. Robert Rauschenberg's Bed -sheets, pillow and quilt daubed with paint-and Jasper Johns's Target, with its anatomical sculptures, including a penis, were merely repulsive...
...entrance stands a creation by Robert Rauschen-berg-an old crate that rests on a post embedded in a sofa pillow and covered with bits of photographs and newspapers, crowned with a stuffed rooster and wired to light up like a juke box every few seconds. But at 34, Rauschenberg already finds that "I now run the risk of being an extremely traditional painter compared to the young people." Just as Rauschenberg lets his "paintings" grow into environment, the newcomers seem to be trying to suck the environment...
...footnote to your April 18 article on combine-maker Robert Rauschenberg in 1948 a youth hosteler in our pension in Paris had purchased a ticket for a performance of the Paris Opera, not realizing that it was a strictly formal affair. She, in a very real sense, had "nothing to wear" for this sort of occasion...
...read a TIME article about Abstractionist Josef Albers' art teaching at Black Mountain College, and hurried home to sit at Albers' feet: "He taught me that there is something to see in anything if you just look." That seems to be the message of Rauschenberg...
...long supported himself by commercial art, but that day is past; the combines created in Rauschenberg's Manhattan loft bring from $400 to $7,500 apiece. Such public demand for such private images is one of the art boom's most fascinating phenomena. Does it reflect a starvation diet of subjective experience amongst the mass of rich Americans? Or do people buy Rauschenberg to share in his quiet protest against what they think cellophane-wrapped sort of world...