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...dance. “I nabbed the gloves from intensive care at Fort Myers hospital,” she told the audience conspiratorially. Brown­—who spoke last Wednesday and Thursday evenings at the MFA—pilfered them while visiting friend, ally, and artist Robert Rauschenberg. She had been unsure at the time of whether or how she would use them but packed them in her suitcase regardless. In her choreography, her drawing, and her life, Brown disregards rules and regulation; she does what she must to make art. “I don?...

Author: By Ama R. Francis, CRIMSON STAFF WRITER | Title: LINEAR PERSPECTIVE: Trisha Brown | 11/21/2008 | See Source »

...Portrait of the Artist Richard Lacayo's on-target homage to the late Robert Rauschenberg mentions the artist's old friendship with John Cage and his romantic relationship with Jasper Johns but not his vital love/hate/play relationships with Willem de Kooning and Jackson Pollock [May 26]. Leaving out that dynamic part of his life is like leaving the subject's nose off his portrait. Rauschenberg would have loved it. Donald Wigal, New York City

Author: /time Magazine | Title: Inbox | 5/29/2008 | See Source »

Richard Lacayo's on-target homage to the late Robert Rauschenberg mentions the artist's old friendship with John Cage and his romantic relationship with Jasper Johns but not his vital love/hate/play relationships with Willem de Kooning and Jackson Pollock [May 26]. Leaving out that dynamic part of his life is like leaving the subject's nose off his portrait. Rauschenberg would have loved it. Donald Wigal, NEW YORK CITY...

Author: /time Magazine | Title: Inbox | 5/29/2008 | See Source »

Maybe the most enduring idea Rauschenberg left us is that one great task of art is not so much to impose order but to make the most of chaos. It's connected somehow to the thing we'll always remember most warmly about him: that he made not making sense ... make sense...

Author: /time Magazine | Title: Robert Rauschenberg: The Wild and Crazy Guy | 5/15/2008 | See Source »

This was where Rauschenberg began to perfect the idea that he would eventually put this way: "Painting relates to both art and life. Neither can be made. (I try to act in that gap between the two.)" By the mid-'50s, he was also in a romantic relationship with the artist Jasper Johns. Trading ideas at top speed, together they were a pivot point between the psychodramas of the Abstract Expressionists who came just before them and the cool ironies of the Pop artists who came after...

Author: /time Magazine | Title: Robert Rauschenberg: The Wild and Crazy Guy | 5/15/2008 | See Source »

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