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Word: rauschenbergs (lookup in dictionary) (lookup stats)
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...Dali-like goatee and mustache onto a reproduction of the Mono Lisa, Marcel Duchamp made it difficult for anyone looking at the lady thereafter to overlook either the pompous reverence with which she is surrounded or Leonardo's decidedly ambivalent attitude toward women. More recently, Miro, Magritte, Johns, Rauschenberg, Lichtenstein, Arman, Bruce Nauman and Walter de Maria have in various ways dealt memorably with the subject...

Author: /time Magazine | Title: Trends: Statements in Paint | 2/28/1969 | See Source »

What will come after? Nobody knows. What the prevalence of "art for art's sake" creations mainly shows is that artists feel compelled to satirize the status quo. In this sense, the stage seems curiously akin to 1953. That was the year when Robert Rauschenberg set the stage for pop with his own contribution to the "art for art's sake" genre: erasing an Abstract Expressionist drawing by Willem de Kooning...

Author: /time Magazine | Title: Trends: Statements in Paint | 2/28/1969 | See Source »

...December exhibition is "Campbell Soup Cans" by Andy Warhol. A set of 10 original silkscreens. The gallery deals in original, contemporary graphics of such artists as Lichtenstein, Oldenberg Johns, Kelly, Krushenick, Stella, Gottlieb, Rauschenberg, Vasarely, Trova and Youngerman among others...

Author: NO WRITER ATTRIBUTED | Title: Christmas Gifts For Each and Everyone | 12/12/1968 | See Source »

Aggressive Medium. For nearly a decade, or since Robert Rauschenberg hung a tire on a stuffed goat and Andy Warhol began painting the soup can, artists have labored to create simple, obvious public art. They used colors that screamed; painting was likely to have hard-edged forms; sculpture was geometric, intended as focal points in plazas. Today the trend is in the opposite direction: artists are deliberately going underground. Even though they may use people as part of their sculptures-as does Byars-their purposes remain arcane and enigmatic...

Author: /time Magazine | Title: Art: The Avant-Garde: Subtle, Cerebral, Elusive | 11/22/1968 | See Source »

...total abstractions, on the argument that only objects professing to be nothing but themselves are truly "real." The older, more obvious and far more common interpretation, of course, is that reality in art is achieved by copying "real life." Stirred by Andy Warhol, Roy Lichtenstein and Robert Rauschenberg, a mini-renaissance of this older school is taking place...

Author: /time Magazine | Title: Painting: Realer than Real | 8/16/1968 | See Source »

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