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...violinist Jonathan Gandelsman, and pianist Charlie Albright ’11, performed the second movement, “Pantoum,” of Maurice Ravel’s piano trio. The piece is usually associated with the Western classical tradition but, as Ma explained, Malaysian dance forms heavily influenced Ravel during his attendance of the World’s Exhibition in Paris in 1889.Later, six other undergraduates joined the Silk Road Ensemble to play music of Turkmen, Armenian, and Yiddish influence, using non-Western techniques and instruments to create music that was both captivating and unfamiliar. With irregular rhythms...

Author: By Matthew H. Coogan, CRIMSON STAFF WRITER | Title: Reaching the End of the Silk Road | 10/30/2009 | See Source »

...midst of the intellectual phenomenon that was the early 20th century modernist movement. Diaghilev introduced the novel idea that dance must exist not on its own but as a climactic collaboration between first-rate painters, musicians, and composers. The willingness of men from Picasso, Matisse, and Rouault to Ravel, Debussy and Stravinsky to collaborate with Diaghilev on his creations signaled the inauguration of a new interdisciplinary era in arts and culture, and dance in particular, that would shape all future exploits. Early Diaghilevan productions have not only remained in the repertory of many major ballet companies but have also taken...

Author: By Erica A. Sheftman, CONTRIBUTING WRITER | Title: Harvard Celebrates Centennial of the Ballet Russes | 4/10/2009 | See Source »

...rest of the audience joined in enthusiastic applause. The main course of the night was served with Mussorgsky’s “Pictures at an Exhibition.” Originally written for piano, the ten-piece suite was orchestrated by French Impressionist composer Ravel for former music director of the Boston Symphony Serge Koussevitzky. The opening “Promenade” theme in B-flat recurs frequently throughout the piece, though with different tonal shadings. Levine directed the orchestra through a broad and majestic “Promenade,” which contrasted sharply with the subsequent...

Author: By June Q. Wu, CRIMSON STAFF WRITER | Title: BSO Shines On Opening Night | 9/29/2008 | See Source »

...emotional investment in their cases.The essays are filled with easily understandable background scientific information as well as fascinating anecdotes about writers, philosophers, musicians, and composers. It might strike you to learn that John Stuart Mill, for example, turned to music to help ease his chronic depression, or that Ravel, Stravinsky, and Berlioz all composed original music in their dreams. Sacks also includes anecdotes about his family, childhood, and personal love of music throughout the book. His own “musicophilia” is always apparent, as are his curiosity and personal investment in the subject.Still, some of the scientific...

Author: By Jacob M. Victor, CRIMSON STAFF WRITER | Title: Sacks Discovers Harmony In Music and Mind | 12/7/2007 | See Source »

France does have composers and conductors of international repute, but no equivalents of such 20th century giants as Debussy, Satie, Ravel and Milhaud. In popular music, French chanteurs and chanteuses such as Charles Trenet, Charles Aznavour and Edith Piaf were once heard the world over. Today, Americans and Brits dominate the pop scene. Though the French music industry sold $1.7 billion worth of recordings and downloads last year, few performers are famous outside the country. Quick: name a French pop star who isn't Johnny Hallyday...

Author: /time Magazine | Title: In Search of Lost Time | 11/21/2007 | See Source »

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