Word: raveled
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Dates: during 1960-1969
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...pianist, stood at the keyboard of the Steinway concert grand, all 88 fingers poised over the keys. Then the mechanical wizard began to play - first a spirited Josef Hofmann performance of Mendelssohn's Rondo Capriccioso, then further seances with Leschetizky, Paderewski, Busoni, Mahler, Saint-Saens, Debussy, Ravel. Guided by electric impulses from a collection of unique piano rolls, Vorsetzer's sensitive fingers produced all the notes with ghostly perfection, just as the turn-of-the-century masters had played them 50 years be fore. But this time, tape recorders took in every appoggiatura so that the antique treasures...
Piano Treasures." He also recorded the likes of Ravel, Debussy and Mahler long before they had gained popular acceptance, tolerating Debussy's monumental ego ("There have been produced so far in this world two great musicians," Debussy once told him, "Beethoven and me."), encouraging timid players such as Edvard Grieg, whose embarrassment at the keyboard often reduced him to hopeless laughter. In the years before the vogue of the phonograph silenced his studios, Welte's legacy included performances by more than 100 pianists and composers...
Dello Joio: Fantasy and Variations (Lorin Hollander, pianist; Boston Symphony Orchestra; RCA Victor) is here given an appropriately spirited performance by the young pianist who played its world première last year. It is music for a virtuoso pianist and a game orchestra. So is the cheerful Ravel Concerto in G on the other side...
Sheherazade (Columbia) is a passionate performance of Maurice Ravel's coldly exciting music, with Mezzo-Soprano Jennie Tourel sharing the enthusiasm built behind her by Leonard Bernstein and the New York Philharmonic. Berlioz' Cléopátre, on the other side, is less remarkable music...
...write for it; Frenchmen now call him their Schubert, their Puccini. From the Mouvements Perpétuels he wrote at 19, through his days with the anti-impressionist Groupe des Six, on through all the rest of his career, he never abandoned his own highly idiomatic voice: Ravel envied him for knowing how to speak "his own folklore." And if the Sept Répons was born of his faith in God, as his friends believe, then his Sonata may well be nothing more than a strange man's tribute to the likes of Benny Goodman...