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Composers have long recognized the hypnotic impact of repeated melody: the grinding pathos of the Albinoni Adagio; the inexorable drive of Ravel's Bolero; the serene radiance of Gandhi's final aria in Glass's Satyagraha. None of these pieces, however, approach in length or cumulative impact a new work by British composer Gavin Bryars, Jesus' Blood Never Failed Me Yet, which is at once an apotheosis of minimalist technique and a moving affirmation of the power of simple song...

Author: /time Magazine | Title: Minimalist Magic | 8/23/1993 | See Source »

ALBUM: CONCERTOS BY RAVEL, PROKOFIEV AND BRITTEN...

Author: /time Magazine | Title: The Sound of One Hand | 3/29/1993 | See Source »

...Fleisher has put Wittgenstein's and his own misfortune to good use, playing three of the pieces commissioned by the Austrian. The Ravel Concerto in D Major is so powerfully conceived and artfully composed that its limitation is hardly apparent; in many ways it is superior to the same composer's two-handed Concerto in G Major. Fleisher digs into the dark, angst- ridden work, plumbing its depths with the unimpaired musical intelligence that has always marked his playing. (Would that his accompanists, Seiji Ozawa and the Boston Symphony, were on the same wavelength.) He sprints through Prokofiev's steely...

Author: /time Magazine | Title: The Sound of One Hand | 3/29/1993 | See Source »

Dudley House Music Society--presentspianist Lois Shapiro performing Beethoven's Sonatain A-flat, Debussy's Images, Book I, Ravel'sMiroirs, and Boyakan's 2nd Piano Sonata. LehmanHall, 8 p.m. $8 general; $4 for students andseniors. Tickets are available at the HolyokeCenter Ticket Office and at the door...

Author: NO WRITER ATTRIBUTED | Title: At Harvard | 3/12/1992 | See Source »

...start to listen to things other than the "warhorses" of the classical repertoire, you'll find things that you recognize: folk tunes in Dvorak, jazz rhythms in Ravel, and humor in Mozart's operas (try the "Magic Flute"). In any case, you've already mastered the basics if you can recognize a melody and move to a rhythm...

Author: By John D. Shepherd, | Title: Why Classical Music Rocks | 3/12/1992 | See Source »

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