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Other new releases: Nine Beethoven bympnomes (Victor), with Toscanini conducting the NBC Symphony (hand somely packaged at $52.40); Bach and Handel Arias (London), sung by Contralto Kathleen Ferrier with the London Philharmonic, conducted by Sir Adrian Boult; Ravel's Daphnis et Chloé-Complete Ballet (London), with the Orchestre de la Suisse Romande and the Geneva Motet Choir conducted by Ernest Ansermet...

Author: /time Magazine | Title: Music: New Records, Apr. 13, 1953 | 4/13/1953 | See Source »

...program will consist of nine pieces, including works by Rachmaninoff, Ravel, Sarasate, Lale, Rossini, and Saint-Saens...

Author: NO WRITER ATTRIBUTED | Title: Adrian Twins to Give Piano Concert Sunday | 4/11/1953 | See Source »

...York City Opera swung into its spring season last week with a double bill devoted to the psychological and the tactical aspects of love. Bela Bartok's Bluebeard's Castle, a moody, Freudian opus (TIME, Oct. 13), came first. Then in a more frolicsome vein, came Ravel's L'Heure Espagnole, and its story of light-hearted Spanish intrigue. Apart from the tact that both operas were done thoroughly to the first-nighters' taste, the chief interest centered on the second conductor of the evening. After Company Director Joseph Rosenstock had conducted Bluebeard, he turned...

Author: /time Magazine | Title: Music: Kalamazoo Boy | 3/30/1953 | See Source »

Schippers was a fillin. L'Heure Espagnole was to have been led by the veteran Tullio Serafin, 74. But Serafin was ill at his home in Italy. Until a fortnight ago Schippers had never had Ravel's score in his hands, but he is what is known in the heater as a quick study. With his flair for the modern and his incisive baton technique, Schippers came through fine. Ravels music sparkled, and the cast matched it with high-spirited singing and acting...

Author: /time Magazine | Title: Music: Kalamazoo Boy | 3/30/1953 | See Source »

...arranging got him high marks, and he worked for such bandleaders as Tommy Tucker and Claude Thornhill, looking for ideas in his favorite composers -Stravinsky, Ravel, Prokofiev and Bach. When he turned to playing, he could blow ragtime, Dixieland, the blues and bop, but he refused to be categorized: "It would be senseless to start playing and sound like anybody else...

Author: /time Magazine | Title: Music: Counterpoint Jazz | 2/2/1953 | See Source »

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