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Word: raveled (lookup in dictionary) (lookup stats)
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...Symphony (Sun. 5 p.m., NBC). Twentieth Century composers; including Ravel's Mother Goose and Elgar's Introduction and Allegro for strings; Wilfred Pelletier, guest conductor...

Author: /time Magazine | Title: Radio: Program Preview, Sep. 30, 1946 | 9/30/1946 | See Source »

...stopwatch, and his boxer dog Mowgli beside him. Usually by the time the studios get the script to him, he has only about six weeks to do the entire score. Much of his work sounds like a cut-&-paste job on themes and orchestral effects out of Tchaikovsky, Debussy, Ravel, Shostakovich. Some of his scores (for which he gets $15,000 to $20,000 apiece) have scarcely an original theme in them, are made up largely of a succession of transitions from one almost recognizable melody to another. Between contracts he tries to be original, is now finishing his second...

Author: /time Magazine | Title: Music: Sound-Track Concertos | 9/16/1946 | See Source »

...amiably around the dairy barn. In the barn stalls a pianist raced through the Bach-Busoni Toccata in C Major; in the hayloft upstairs a madrigal group worked over Purcells 17th-Century masque opera, King Arthur. Somewhere in a clump of birch a lone flutist piped the theme of Ravel's Daphnis et Chloe. Down by the shores of inky Lake Mahkeenac, a brass section blared Moussorgsky's A Night on Bald Mountain, and inside the lakeside clubhouse 23-year-old Composer Lukas Foss, a Koussevitzky favorite, beat out a frenzied boogie-woogie...

Author: /time Magazine | Title: Music: Tanglewood, U.S.A. | 7/22/1946 | See Source »

Berkshire Festival*(Sat. 9:30 p.m., ABC). Serge Koussevitzky conducting the Boston Symphony in Rachmaninoff's Piano Concerto No, 2 in C Minor, Ravel's Daphnis et Chloe, second suite. Pianist Eugene List, soloist...

Author: /time Magazine | Title: Radio: Program Preview, Jul. 22, 1946 | 7/22/1946 | See Source »

Borrowing from your own, or some other nation's, storehouse of folk music is an old composer's trick. Dvorak and Puccini used U.S. tunes. Tchaikovsky not only reworked Russia's own Song of the Volga Boatmen but borrowed a bar or two from Italian music. Ravel, Chabrier and Rimsky-Korsakov took from the Spanish; Aaron Copland from the Mexicans. Last week the U.S.S.R. and the U.S. decided to work each other's musical gold mines officially...

Author: /time Magazine | Title: Music: Composition by the Numbers | 6/17/1946 | See Source »

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