Word: raveled
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...Sanders Theatre Concerts Boston Symphony Orchestra Second Programme, July 25 Under the direction of Bernard Zighera Toccata, Bouree, and GigaScarlatti-Casella Symphony No. 5 in B-flat major Shubert I. Allegro II. Andante con moto III. Menuetto: Allegro molto: Trio IV. Allegro vivace Pavane pour une Infante defunte Ravel Capriccio Ibert Suite No. 1 from "Pulcinella," Ballet (after Pergolesi) Stravinsky I. Sinfonia (Overture): Allegro moderate II. Serenata: Larghetto III. a. Scherzino b. Allegro c. Andantino IV. Tarantella V. Toccatta VI. Gavotta con due variazionl VII. Duetto VIII. a. Menuetto b. Finale Third Programme, August 1 The Boston Society of Ancient...
...Ravel: Rapsodie Espagnole (Cleveland Orchestra, Artur Rodzinski conducting; Columbia; 4 sides). One of Ravel's most vivid pieces brilliantly, if somewhat inelastically, performed...
...white announcements seriously. At any rate, four Boston Symphony musicians including Jean Lefrane and Alred Zighera plus a pianist, Paul Doguereau, made their appearance and very smoothly and beautifully furnished two-hours of French chamber music, which included the Faure Quintette, Opus 89, the Quartet, Opus 15, and the Ravel Trio in A Minor. To most of those present, including myself, these works were more or less unfamiliar, but from the very cordial reception which greeted each selection, it would seem as if more concerts of this type, in spite of their somewhat limited appeal, would be welcome...
...last works mentioned, plus Hindemith's "Nobilissina Visione" Concert Suite, and Tschaikowsky's "Romeo and Juliet." When works of unquestionable fibre have been given, they have often been thrown, together indiscriminately, as witnessed by another program which boasted of nothing but modern French music by Milhaud, Debussy and Ravel, enough to tire even the most ardent admirer of musical delicacy and impressionism. To date there has not been a single note of Bach or Handel heard in Symphony Hall. Although there seemed to be time enough for two by Shostakovitch and one by Miaskovsky, there was not a single Haydn...
Directly following this, Ravel's "Daphnis et Chloc" Ballet was heard. The music, full of "poetic imagination," instrumental color, exceedingly clever orchestration, was competently enough performed. But perhaps it was not up to the rest of the program in some ways. The dynamics were good, but at times overdone. The effect was complete, but at the same time there were too many breaks, the continuity not always intact...