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Word: ravelled (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...Miaskovsky, who had been a pupil of Rimsky-Korsakov. When Aram graduated in 1933, his name was carved on a marble panel, an honor reserved for star pupils. Khachaturian still draws heavily on his native Armenian and Georgian folk themes and rhythms for his symphonies and concertos, and on Ravel and Stravinsky, among others, for his handling of them. The three living composers he admires most are Stravinsky, Prokofiev and Shostakovich. (Russian expatriate Stravinsky, now a U.S. citizen, has been denounced by Culture and Life as "a man without a fatherland...

Author: /time Magazine | Title: Music: Rising Russian | 11/10/1947 | See Source »

Boston Symphony (Tues. 9:30 p.m., ABC). Serge Koussevitzky conducts Ravel's Ma Mère l'Oye; Beethoven's Symphony...

Author: /time Magazine | Title: Radio: Program Preview, Oct. 13, 1947 | 10/13/1947 | See Source »

...Ravel: Daphnis & Chloe Suites Nos. I & 2 (Orchestra de la Société des Concerts du Conservatoire, Charles Münch conducting; Decca Record Co. Ltd., 6 sides). Suite No. 1 has little to say that the better-known No. 2 does not say better. Recording: good...

Author: /time Magazine | Title: Music: New Records, Aug. 4, 1947 | 8/4/1947 | See Source »

...Jeremiah Symphony. The score of it had gone astray somewhere between Athens, Cairo and Jerusalem. Another copy arrived by air only three days before the concert. But Bernstein got the yoman orchestra through it deftly. That called for five bows. Then he played the solo part of Ravel's Piano Concerto, conducting from the piano. Some of the more critical in the audience thought they had heard better performances, but if Bernstein had played Pop! Goes the Weasel, the audience would have loved him just as much...

Author: /time Magazine | Title: Music: Bernstein in Palestine | 5/12/1947 | See Source »

...Stravinsky, who is nearing thirty. Although he is a regular professor at the Conservatory of Geneva, Lipatti has been spreading his rapidly growing reputation by exhaustive tours of Europe. Already an excellent technician, his interpretation of Romantic and Modern music have often been hostilely received by critics. His Ravel, and even more strikingly, his Chopin have a neat, precise touch that makes them sound almost Classical to ears accustomed to the rather hyper-poetical treatment of many better known pianists, such as his former teacher. On the other hand, his beautiful feeling for the earlier composers. Bach, Scarlatti, and Mozart...

Author: By Otto A. Friedrich, | Title: The Music Box | 4/14/1947 | See Source »

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