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Pianist Phyllis Moss plays Ravel and Debussy pieces in a concert in Kirkland House JCR. Friday at 8:30 p.m. Free...

Author: By Richard Kreindler, | Title: Classical Listings | 12/1/1977 | See Source »

Concentrating on Romantic and contemporary concerts. Ariel Chamber Ensemble begins its season with program of Brahms, Ravel, Stravinsky and Milhaud Ariel emphasizes "dramatic works" and the relationship between music and theater. The chamber group will play Ravel's "Trois Poemes de Stephane Mallarme," Milhaud's "La Creation du Monde," and Brahms' Quintet Op. 111. There will also be two works by Stravinsky--"Fanfare" and "Trois Poesies de la Lyrique Japonaise." The performers are professional musicians interested in, according to its pamphlet, the "growth of a new and innovative form, music/theater." Ariel will be in Sanders Theatre on Friday night. Tickets...

Author: By Richard Kreindler, | Title: Weekend of Debuts | 11/3/1977 | See Source »

...King's Chapel, Sunday at 5 p.m., features performances on original instruments at baroque pitch with early tunings. Again in Jordan Hall, the NEC Faculty Chamber Music series begins on Tuesday at 8 p.m. The varied program includes Mozart's Trio for Clarinet and Piano, K. 498 and Ravel's Sonata for Violin and Cello. For info about any of these NEC concerts call...

Author: NO WRITER ATTRIBUTED | Title: Wolfgang Today | 10/13/1977 | See Source »

Sylvia returns fully assembled in Gaspard de la Nuit as the mother of a lonely teen-age boy who wanders the streets of Barcelona whistling a complex piece by Ravel. Music is to young Mauricio what fashion is to Sylvia and what the perfect apartment is to Roberto and Marta: a way of erasing the outside world. It is also a way of severing Mauricio from his dull, affluent life. The tale ends with a prince-and-the-pauper twist, when he changes places with an urchin who is his double...

Author: /time Magazine | Title: Books: Shadow Play | 6/27/1977 | See Source »

...Alice Cooper and Iggy Pop, got the first sampling of what was in store for them. From 40 huge loudspeaker enclosures suspended from the ceiling came the mighty sounds of Abaddon's Bolero, a work Composer-Pianist Keith Emerson has based on the same Spanish rhythm as the Ravel classic. After a few bars, a thick curtain of light, produced by in tense lights rimming the stage, dissolved to reveal Keith Emerson, 32, Greg Lake, 29 and Carl Palmer, 27, hard at work on the center. There was Keith darting from Hammond organ to Moog synthesizer, and Greg picking...

Author: /time Magazine | Title: Music: ELP: 72,000 Watts in the Name | 6/13/1977 | See Source »

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