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...first of a series of Summer School concerts open to the public, Malama Providakes, mezzo-soprano, and Paul Des Marais '49, pianist, presented a program of songs by Ravel, Brahms, Debussy, Faure, and de Falla at Paine Hall on Tuesday...

Author: By Donald P. Marston, | Title: Lieder at Paine | 7/19/1956 | See Source »

...first Paine Hall music concert of the season, a song recital, will be given next Tuesday, Sept. 17, at 8:30 p.m. Malama Providakes, mezzosoprano, will be accompanied at the piano by Paul Des Marais, instructor in Music. Works by Ravel, Debussy, Faure, and Brahms will be performed. Two other concerts are on the summer agenda, one July 31, and the other August 15. Admission is free for all of them...

Author: NO WRITER ATTRIBUTED | Title: Paine Hall Recital Scheduled Tuesday | 7/12/1956 | See Source »

Other noteworthy records: Nine Beethoven Symphonies, played by the NBC Symphony under Toscanini and popularly priced (Victor, 6 LPs); Puccini's Turandot, with Inge Borkh and Mario del Monaco and St. Cecilia Academy musicians under Alberto Erede (London, 3 LPs); Ravel's Complete Piano Works, played by Walter Gieseking (Angel...

Author: /time Magazine | Title: Music: Classical Records | 7/2/1956 | See Source »

...dawned, Mallinckrodt Laboratory and New Lecture Hall were approaching completion. An anonymous gift of $100,000 from an "alumnus aquaticus" for a swimming pool started the administration thinking about an I.A.B. Maurice Ravel conducted at Sanders, Professor Charles T. Copeland, Boylston Professor of Rhetoric and Oratory, retired, and the Hasty Pudding ambitiously formulated plans for a nation-wide tour of its latest opus: "Not Now--Later...

Author: By James W.B. Benkard, | Title: The Class of '31: A Brief Look into the Past | 6/12/1956 | See Source »

Victor Ziskin '59 played his On the Border of Israel, which is in reality a piano sonata in three movements, entitled "Birth," "Recollection," and "Work." Ziskin showed a definite flair for idiomatic piano virtuosity, but drew too heavily on Prokofiev, Rachmaninoff and Ravel. The connection with Israel seemed rather tenuous, except for a few Jewish turns of melody, particularly in the exciting first movement. The second movement fell into a cocktail-lounge style, with slithering parallel chords in the left hand repeated ad nauseam. The finale was almost wholly a piece of Leonard Bernstein jazz, and relied too much...

Author: By Caldwell Titcomb, | Title: Composers' Laboratory Concert | 3/20/1956 | See Source »

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