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...that he now has one of the most highly trained and carefully blended chorus-and-orchestra combinations in the world, capable of far more clarity than a booming mass chorus and far more power than the usual smaller ensemble. In three intricate chansons by Debussy and three more by Ravel, his singers performed with gymnastic precision. Finally they went on to the first U.S. performance of Bela Bartok's exotic secular cantata, The Enchanted Deer, and handled it with perfect form and ease...

Author: /time Magazine | Title: Music: Too Much Perfection | 1/21/1952 | See Source »

...other failings. Its slow pace is deliberate and consistent enough to be accepted as a matter of style, presumably designed to the Japanese taste, yet U.S. moviegoers are likely to find much of it draggy. One long sequence is spoiled by a musical score that borrows freely from Ravel's Bolero, and Director Kurosawa, though obviously gifted, sometimes becomes self-consciously infatuated with the look of his own images. For all that, Rashomon is a novel, stimulating moviegoing experience, and a sure sign that U.S. film importers will be looking hard at Japanese pictures from...

Author: /time Magazine | Title: Cinema: The New Pictures, Jan. 7, 1952 | 1/7/1952 | See Source »

Monteux was born April 4, 1875, and studied at the Paris Conservatory. In 1911, as conductor of the Diaghilev Russian Ballet he introduced for the first time Igor Stravinsky's "Petrouchka," "Sacre du Printemps," and "Rossignol," Maurice Ravel's "Daphnis et Chioe," and Claude Debussy's "Jeux...

Author: NO WRITER ATTRIBUTED | Title: Monteux May Deliver Lamb Music Talks | 11/28/1951 | See Source »

Debussy: Trois Chansons de Bilitis; Ravel: Chansons Madécasses (Jennie Tourel, mezzo-soprano; Columbia, 2 sides LP). An accomplished artist gives a six-song lesson in how to sing French. Debussy's love songs are poignant; Ravel's are sensual. Recording: excellent...

Author: /time Magazine | Title: Music: New Records, Aug. 20, 1951 | 8/20/1951 | See Source »

More frequently performed in the arrangement of Maurice Ravel, the score will be played by pianist Reah Sadowsky as originally written by the Russian composer. She has appeared with the Boston Symphony Orchestra, and has recently returned from a Latin American concert tour...

Author: NO WRITER ATTRIBUTED | Title: Moussorgsky Music Will Be Heard, 'Seen' | 8/9/1951 | See Source »

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