Word: ravelling
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Dates: during 1930-1939
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...Oberon" Weber "The Fair Day," from "An Irish Symphony" Harty *Two Hungarian Dances Brahms No. 5 in G minor No. 6 in D major *"On the Beautiful Blue Danube," Waltzes Strauss "On the Trail," from the suite, "Grand Canyon" Grofe *Overture to "Tannhauser" Wagner *"Pictures at an exhibition" Moussorgsky-Ravel (Hans Wiener Dancers, with Orch.) Selections checked (*) are available on records at Briggs & Briggs Music Store, Harvard...
...Lohengrin, Introduction to Act IIIWagner (Overture to "A Midsummer Night's Dream" Mendelssohn *Pavane Ravel *Carmen, Suite Bizet Aragenaise--Intermezzo--Gypsy Dance *Danse Macabre, Symphonic Poem Saint-Saens *Fifth Symphony in E minor, Andante Cantabile Techaikovsky *Espana, Rhapsody Chabrier *"Music in the Air," Selection Kern *"Wine, Woman, and Song," Waltzes Strauss *"Only One Vienna," March Schrammel Selections checked (*) are available on records at Briggs & Briggs Music Store, Harvard...
...orchestra will open the concert with Ravel's suite "Le Tombeau de Couperin," to be followed by Schumann's Symphony No. 4 in D Miner, the four movements of which will be played through without a pause. After the intermission the program will be concluded by the famous Fifth Symphony of Beethoven. Admission will...
Three recitals by distinguished artists are to be heard in Boston during the next few weeks. Albert Spalding, the noted violinist, is presenting at Jordan Hall on Saturday afternoon, January 19, a program consisting of selections from both old and new composers, a range from Bach to Ravel. On Sunday afternoon, January 20, Arthur Schnabel, eminent pianist, is to be heard at Symphony Hall playing sonatas of Schubert, Mozart, and Becthoven. The Dutch pianist, Jan Smeterlin will appear on Friday evening, February 1, at Jordan Hall...
...began to spawn rumors about this picture. French Novelist Paul Morand had written its scenario from the Cervantes classic. The producers had thrown out the musical jello which Composer Jules Massenet provided in his opera Don Quichotte, had commissioned new tunes from Jacques Ibert, able pupil of Maurice Ravel. George Wilhelm Pabst, exiled German Jew famed for his Kameradschaft, The Beggar's Opera and White Hell of Pitz Palu, was directing two versions, one in French, the other in English. In both versions Russian Basso Feodor Chaliapin was playing and singing the Caballero de la Triste Figura...