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Word: ravelling (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

March, "There's Only One Vienna"Schrammel *"Die Fledermaus," Overture Strauss *"The Old Refrain" Kreisler *"Wine, Woman, and Song," Waltz Strauss "Spring Night in Vienna," Waltz Crist *Unfinished Symphony (First Movement) Schubert *"La Valse," Choreographic Poem Ravel *"By the Beautiful Blue Danube," Waltz Strauss *Rhapsody in Blue Gershwin Piano Soloist: Jesus Maria Sauroma *Strike Up The Band Gershwin Selections checked (*) are available on records at Briggs & Briggs Music Store, Harvard Square...

Author: NO WRITER ATTRIBUTED | Title: AT THE POPS | 5/10/1934 | See Source »

March, "Los Banderillos" Volpsit *"Carmen," Suite Bits *"La Goyescas," Intermezzo Gransdon *"Capriccio Espagnol Rimsky-Korsler Alborada--Variations--Alboarda--Scene and Gypay Song--Faundango the Asturias *"Espana," Rhapsody Chabries Miss Miriam Winslow: a. Audalouse from "The Gid" Massenett b. Orgia from Danza Fautssica Turiar *Bolero Ravel *"El Amer Brujo" ("Love the Sorcerer") de Falke...

Author: NO WRITER ATTRIBUTED | Title: AT THE POPS | 5/3/1934 | See Source »

Built around, and sustained by the sensuous strains of Ravel's "Bolero," this film loses much of its effect when the rendition of the feature scene fails to come up to the mark. The recurrence of appealing waltzes and tangoes with the accomplished dancing of George Raft, Carole Lombard, and Frances Drake, and the absence of leg extravaganzas and water scenes, combine to make it a picture considerably above the average of musical revues...

Author: By N. G. M., | Title: CRIMSON PLAYGOER | 4/21/1934 | See Source »

University--"Bolero". George Raft and Carole Lombard in a colorful, musical movie featuring Ravel's aphrodisiac masterpiece. The music by the way is played too fast. "Six of a Kind". Charlie Ruggles nonsense to relieve weary eyes. W. C. Fields steals the show...

Author: NO WRITER ATTRIBUTED | Title: Merry-go-Round | 4/20/1934 | See Source »

...Paris. He took the Russian Opera and Chaliapin to Paris before he took the Ballet. But the dancers established his reputation with the world. He had Fokine create ballets that had true dramatic context. He used settings by Bakst, Derain, later Picasso. He commissioned composers like Stravinsky, Debussy, Ravel to write him music. Expense was no item to Sergei Diaghilev. The Russian Ballet was the rage of Europe. Men like Baron Dmitri Gunsburg, Sir Basil Zaharoff and Aga Khan were proud to support it. Diaghilev is the villain of Romola Nijinsky's story, although she freely grants...

Author: /time Magazine | Title: MUSIC: Story of a Dancer | 3/19/1934 | See Source »

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