Word: ravenna
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Dates: during 1950-1959
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...Atlantic last week to make a deal that will give his country its first doorway into the synthetic-rubber industry. In Manhattan, Mattei signed contracts with Phillips Petroleum Co. and Union Carbide & Carbon Corp. for their processes and help in building a $75 million synthetic-rubber plant at Ravenna, in the Po Valley. It will turn out 35,000 tons of GR-S rubber and 350,000 tons of nitrogen fertilizer annually from nearby methane deposits. The plant will be not only the first synthetic-rubber factory in Italy but the first in Europe to make rubber from natural...
Seething over this latest example of the Christian Democrats' new determination to harass the enemy by every legal means, the Communists called a one-day citywide strike in Florence. And at a merry festa in Ravenna, Communist Boss Palmiro Togliatti was so mad he let his fangs show. Usually he talks a sweetly reasonable line; last week he gloated over the death of EDC, hailed the armistice in Indo-China and boiled with indignation at the banning of the festa in Florence...
...themselves in the great mirrors. So they sent for the finest master of the German Renaissance style, Henry Hardenbergh, and he did this-a skyscraper but not the monstrous thing the skyscraper was to become later. He still managed to keep it with a human sense. There were Ravenna mosaics on the floor, but they covered them up with rugs. A lot of it has been spoiled by inferior desecrators...
...only to be expected that as the war went on the Italians would try to make things easier for themselves by ratting to the other side." Italian "treachery" notwithstanding, he claims and probably deserves credit for sparing such culturally rich towns as Orvieto, Perugia, Urbino, Siena, Padua, Ravenna and Venice from military destruction. He admits "the destruction of the wonderful [Florentine] bridges across the Arno." As for the famed monastery of Monte Cassino, Kesselring stoutly denies that the German armies ever put it to military...
Stained-glass design has been on the decline for seven centuries, ever since its peak splendor in Chartres' cathedral. Describing Chartres, Henry Adams said that "no other material, neither silk nor gold . . . can compare with translucent glass, and even the Ravenna mosaics or Chinese porcelains are darkness beside them." Some modern artists have begun to rediscover this truth. Last week brought two ambitious shows of modern stained glass...