Search Details

Word: raves (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

...their reception. He regarded his opening night performance as the finest achievement of his whole career. "I never felt better on any stage that I did that night," he said. The next day the critics unanimously panned him because "I was not ferocious enough, and I did not rave and rant." Realizing this was his first critical and commercial flop in 13 years, he decided toward the end of the play's brief run to act the role as the critics wanted. He "tore through the performance like a madman, and hammed the part within an inch of burlesque...

Author: By Caldwell Titcomb, | Title: Strasberg Analyzes Acting and Audiences | 7/18/1957 | See Source »

...best Kelly-on-canvas is from the brush of Sidney Nolan, 40, whose current show at London's Whitechapel Art Gallery is getting rave reviews and earning him recognition as Australia's leading painter. Nolan first heard of Ned Kelly from his grandfather, a fourth-generation Australian and retired policeman. Years later, when Nolan began painting the wild landscapes of Victoria and New South Wales, the legends became the central images of his work...

Author: /time Magazine | Title: Art: Kelly Rides Again | 7/15/1957 | See Source »

...United States' negotiators face a dilemma. About all that can be done in the "open skies" line is to appear co-operative on the thorny problem of European aerial inspection. It does seem that Mr. Stassen is capable of appearing much more cooperative than Mr. Dulles, who tends to rave slightly in times of impasse. But a quiet Dulles and the Stassen smile will not be enough. If aerial inspection of Europe is impossible, United States' negotiators must shift their approach to ground in which they can afford to give and take. As it happens, this area...

Author: NO WRITER ATTRIBUTED | Title: Open Skies? | 6/1/1957 | See Source »

...third time), Beriosova stepped into more and more of Fonteyn's roles. More enthusiastically than ever, the critics applauded her lithe, leggy build, her cool, fluid movements, which are reminiscent of the early Fonteyn's. Although the restrictions of Pagodas' choreography gave the critics less to rave about last week, Beriosova displayed the classic arch-of-back and lift-of-leg passages that have moved her audiences in the past. There is still no indication of when 37-year-old Margot Fonteyn will finally step down, but when she does, the Sadler's Wells company...

Author: /time Magazine | Title: Music: Heiress Presumptive | 1/14/1957 | See Source »

...dogmatic tastes of today's audiences are rooted in their esthetic laziness. "I'd much rather sit at dinner next to one of those old ladies who tell you, 'Picasso is a fraud and Stravinsky a bore,' than beside one of those young things who rave about their Klee paintings and their Bartok quartets . . . Today Brahms can no longer be tolerated, but Rossini is very chic...

Author: /time Magazine | Title: People, Dec. 17, 1956 | 12/17/1956 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | Next