Word: raves
(lookup in dictionary)
(lookup stats)
Dates: during 2000-2009
Sort By: most recent first
(reverse)
...beef market--but supply is nowhere near demand. Grass-fed beef can cost from 20% to 100% more than feedlot beef, reflecting in part a longer growth cycle. And quality can be a problem. Bonnell's, a Fort Worth restaurant, sells 65 Taggart steaks a week. "Our customers rave about its tenderness and nutty flavor," says chef Jon Bonnell. But some grass-fed meat is too tough. And it's not easy to revive the art of producing tasty pasture-raised beef. It requires not only rotational grazing but also the genes that allow animals to fatten naturally on grass...
...predecessor?s hometown and gave hope to those who want to see John Paul be made a saint as soon as possible. And he drew a million-strong crowd Sunday morning in Krakow, the former diocese of Archbishop Karol Wojtyla, for an open-air mass. All along, he received rave reviews from the devout Polish people...
...interviewed for the film), had recorded with Buddy Holly back in Texas, and, according to The Bob Dylan Encyclopedia, Holly "followed her to Greenwich Village" in 1958. He wasn't the only one infatuated with Carolyn. Robert Shelton, the New York Times music critic who gave Dylan his first rave review (when he appeared on a bill with Carolyn) was also smitten by her. So was Dylan. Referring in Chronicles to her brief marriage to the poet Richard Fari?a, Dylan wrote, "I thought he was the luckiest guy in the world to be married to Carolyn...
...farmers with a viable source of income while preserving the people’s cultural heritage and livelihood. “START SMALL, THINK BIG” At last month’s Harvard Business School (HBS) Entrepreneurship Conference, “Cheese for Change” reeled in rave reviews. It won the People’s Choice Award and the Best Management Award.And last week, at the HBS Business Plan Contest, “Yashmere” won the Social Enterprise Track ‘Concept phase’ prize.“Yashmere is really exciting...
...ensemble piece choreographed by Ruthie B. Birger ’06, was easily the recital’s most energetic performance. In this quirky number, the dancers stomped and leapt about the stage in perfect unison to the tune of Mongo Santamaria’s world-pop rave-up “Afro Blue.” As thrilling as these antics were, they raised troubling questions about the propriety of cultural appropriation that were not answered, or even addressed, in the context of the recital. “Shadows,” choreographed by Brenda Divelbliss, a Harvard Dance...