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...Beatles are artists of the eclectic-improver variety (most famous example: Shakespeare), and like Shakespeare they are constantly picking up new styles and moods. In their musical celebrity world they are exposed to new contacts: their new-found acquaintances range from Ravi Shanker, who is teaching Harrison the entirely non-Western discipline of the sitar, to the Amadeus String Quartet (unsurpassed even by the Budapest), which recorded the background for "Eleanor Rigby" and which has leant the Beatles some of the Western tradition. Lennon and McCartney read voraciously, and they might borrow inspiration as easily from Eugene O'Neill...

Author: By Billy Shears, | Title: Sgt. Pepper's One and Only | 8/22/1967 | See Source »

...decade of performing in the West, Indian Sitar Master Ravi Shankar, 47, has won a devoted following among musicians from Jazzman Dave Brubeck to Beatle George Harrison. But only one notable Westerner has ever performed with him: Violinist Yehudi Menuhin, 51, longtime apostle of Indian culture and faithful practitioner of yoga. The two met in India in 1952, and Menuhin persuaded Shankar to play last summer at the Bath Festival in England. In what both performers termed "an experiment," Menuhin practiced his violin for two days under Shankar's coaching so that he could sit in on a raga...

Author: /time Magazine | Title: Recordings: Raves for Ravi & Yehudi | 8/4/1967 | See Source »

...movement is leaderless and loose. The Beatles-forerunners of psychedelic sound and once again at the forefront with their latest album, Sgt. Pepper's Lonely Hearts Club Band-are the major tastemakers in hippiedom. (Beatle Paul McCartney admits to taking acid trips.) Yet another guru, Indian Sitar Virtuoso Ravi Shankar, who now has a burgeoning music school in Los Angeles, is dead set against drug use as an enhancement to music. He recently lectured the Monterey Pop Festival audience, chiding them for being stoned while listening to his music, which he claims should be sufficient to turn them...

Author: /time Magazine | Title: Youth: The Hippies | 7/7/1967 | See Source »

...variety of performers plugging into the bank of amplifiers on the arena stage during five concerts showed how many tributaries the mixed stream of pop music draws on today-from blues (Paul Butterfield) and jazz (Trumpeter Hugh Masakela) to folk (English Singer Beverly) and country and western (Johnny Rivers). Ravi Shankar, whose classical sitar playing has been so enthusiastically applauded and imitated in the U.S. jazz and pop world that he has opened a school for Indian music in Los Angeles, had an entire concert to himself. A capacity audience sat breathlessly silent during his hypnotic droning and twanging...

Author: /time Magazine | Title: Festivals: Soulin' at Monterey | 6/30/1967 | See Source »

...RAVI SHANKAR IN NEW YORK (World Pacific). The master sitarist's latest rendition of the sound that has infiltrated jazz and indeed reOriented all Western popular music. Ever since the Beatles endorsed Shankars traditional Indian music last year, his ragas have become all the rage. From the long-necked, gourd-bellied sitar, Shankar strokes a whining, hypnotizing stream of spontaneous melodies within the framework of a predetermined pattern of notes. The Eastern "scales" he uses are now definitely required running by jazz musicians, especially bassists, whose solos frequently echo his soulful, inscrutable improvisations...

Author: /time Magazine | Title: Theater: Time Listings: Apr. 21, 1967 | 4/21/1967 | See Source »

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