Word: ravignan
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
Living in the hatchery of cubism, the expatriates' studio in Paris' Rue Ravignan, known as the Bateau Lavoir, Gris was not in at the beginning. He started as a cartoonist and illustrator, and did not even start to paint until 1910. His first cubist pictures belong to 1912, five years (a long time in the avantgarde) after Picasso painted his seminal and outrageous Demoiselles d'Avignon, the five women bathers with bodies of planes and angles. Gris' importance to modern art rests on about ten years of productivity. His work weakened into phlegmatic...
Financially this moment was the nadir of Picasso's life. He was living in the Bateau Lavoir, a studio building in Rue Ravignan. "No one," Kahnweiler recalls, "could ever imagine the poverty, the deplorable misery of those studios. The wallpaper hung in tatters from the unplastered walls. There was dust on the drawings and rolled-up canvases on the caved-in couch. Beside the stove was a kind of mountain of piled-up lava, which was ashes. It was unspeakable...
WHEN French Painter Georges Braque walked into Pablo Picasso's cluttered Montmartre studio on the Rue Ravignan 49 years ago, he saw on the easel a painting unlike anything he had ever imagined. Said Picasso fiercely, "This is going to cause a big noise." And Picasso was right; his crosshatched galaxy of pink nudes, Demoiselles d'Avignon, ranks today as a turning point in art. But at the time, all that flabbergasted Georges Braque could say was, "You are trying to make us drink petrol in order to spit fire...
Unlike the other cubist greats - Picasso, Braque, and the late Fernand Leger - who had to unlearn their earlier styles, young Juan Gris (pronounced Greece) had had only a rudimentary training in Madrid when he moved into the Rue Ravignan in 1906, to be near Picasso. In on cubism from its birth, Gris developed his own style naturally on cubist tenets...
...things -a book, a bottle of Medoc, a newspaper, a table and a view out the window-as they might appear if refracted by a prism. The result is a much more orderly design than the eye could have seen in his drab, poorly furnished room on the Rue Ravignan, but it testifies to the vision that kept Gris painting there. In 1927, when he was only 40, Gris died of uremia. Long afterward, Picasso, studying one of Gris's paintings, said: "It's grand to see a painter who knew what he was doing...