Search Details

Word: raving (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...addition, Harvard has something at stake tonight-a shot at second place in the league and home ice for the ECAC playoffs. The rave reviews, hopefully, will come from Cambridge this time...

Author: By John L. Powers, | Title: Stickmen Seeking Revenge In Game Against Quakers | 2/21/1970 | See Source »

...long ago, when to be fat, balding, unmarried and in your late 30s was to be scorned by strangers, pitied by the family and ridiculed by friends of friends. Not any more. Not, that is, if you are James Coco, a fat, balding, bachelor of 39 who opened to rave notices last week as Barney Cashman in Last of the Red Hot Lovers, Neil Simon's latest smash...

Author: /time Magazine | Title: Show Business: Adventures of the Fat Man | 1/12/1970 | See Source »

...went the rave that was never written. But the characters and compliments are real enough. The audience at a Harvard show is pretty unaware of techies--the backstage and front office people who organize, frame and run a production--except as names on the right hand side of a program. But from the inside they seem pretty significant, much more so than in professional theatre...

Author: By Deborah R. Waroff, | Title: What Makes Techies Run | 3/7/1969 | See Source »

...King is the universally acknowledged king of the Blues today. While young white guitar players rave about Clapton and Bloomfield, in turn, (as well as Buddy Guy and Albert King) they all praise the master, B. B. King. B. B. King is near fifty and he has paid his dues. He has been playing the Blues professionally longer than Bloomfield and Clapton have been alive, doing one night stands which took him from Jacksonville, Fla., to Austin, Texas, to Los Angeles, Calif., and back again in a month without a day of rest, along dusty roads, in men's rooms...

Author: By James C. Gutman, | Title: B.B. King Is King of the Blues--Black Music That Whites Now Dig | 2/27/1969 | See Source »

...attempt to fuse Noise and Music so that they go together--such music it seems is known as Musique Concrete. Writing in the Aug. 10 issue of Rolling Stone, Edmund O. Ward calls Townshend "one of the foremost pioneers and practitioners of this art" and goes on to rave about the instrumental break in "Armenia, City in the Sky" as being "perfectly true to the harmonic structure of the song as well as perfectly integrated kinetically into it." However that may be one can only testify that the song is a poetic evocation of a soaring mood and the electronic...

Author: By Sal I. Imam, | Title: The Who | 8/13/1968 | See Source »

Previous | 118 | 119 | 120 | 121 | 122 | 123 | 124 | 125 | 126 | 127 | 128 | 129 | 130 | 131 | 132 | 133 | 134 | 135 | 136 | 137 | 138 | Next