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...time I yelled “Fuck me raw...

Author: By The CRIMSON Staff, | Title: Interactions with the Fro-Yo Machine that Reveal Sublimated Sexual Energy | 12/6/2001 | See Source »

...WEDDING-BELL BLUES: Marriage is a raw deal for women, says Susan Maushart, the author of "Wifework: What Marriage Really Means for Women" (Bloomsbury; March). According to Maushart, whether wives are employed or not, they still perform an astounding share of the physical, emotional, and organizational labor in marriage - everything from housework to "sex work." It's not an accident, she says, that women initiate three-quarters of all divorces. If family life is worth saving, she says, the job description for wives will have to be rewritten. Says blurber Pepper Schwartz, author and Ph.D., "Wifework is a welcome corrective...

Author: /time Magazine | Title: Galley Girl: Home Cookin' Edition | 12/5/2001 | See Source »

...object of concern was imported gum arabic plants, the source of food additives that come largely from Sudan via Canada and may enter the U.S. uninspected because of the North American Free Trade Agreement. This was misleading. Gum arabic is imported into the U.S. directly from Africa in raw form, and at our company we liquefy, pasteurize and convert it into a powder. According to statistics from the U.S. International Trade Commission, no gum arabic was imported from Canada between 1996 and 2000. The level of concern over the safety of gum arabic in foods should be no less...

Author: /time Magazine | Title: Letters: Dec. 3, 2001 | 12/3/2001 | See Source »

...blues staple) to the slow languorous burn that is Vaughan’s cover of “Texas Flood,” it’s evident that the man could just flat out play. In the early days before his discovery, Vaughan fused so much raw, open energy into his performance that even once removed through a recording, the presentation is nothing short of mesmerizing...

Author: By James Crawford, Andrew R. Iliff, and Daniel M. Raper, CRIMSON STAFF WRITERS | Title: New Albums | 11/30/2001 | See Source »

...lost his competitive fire. Grounded by Reese Waynans on organ in addition to Layton and Shannon, Vaughan returns to “Pride and Joy” for the symmetry of it all, this time transcending his original by infusing voice and playing with a thick, raw edge. Later, Double Trouble reprises “Texas Flood,” this time moving away from the first rendition’s stripped down brooding sensibilities toward a richer, more complex composition...

Author: By James Crawford, Andrew R. Iliff, and Daniel M. Raper, CRIMSON STAFF WRITERS | Title: New Albums | 11/30/2001 | See Source »

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