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...Boondocks” began its life as a comic strip, and its animated counterpart shares a plot setup: Huey Freeman (voiced by “Ray?? girl Regina Hall) is a 10-year-old who lives with his brother (also Hall) and grandfather in a largely-white suburb of Chicago. Huey is unhappy with that particular aspect of the situation, and is the series’ narrator and social commentator...

Author: By Alex C. Britell, CRIMSON STAFF WRITER | Title: TV Watch: "The Boondocks" | 12/1/2005 | See Source »

...pills,” this is no foray into bathos. Cash’s love affair with Carter remains the focus of the movie, giving a coherent theme to all the chaotic elements of his life. “Walk the Line” is a “Ray??-caliber biopic. Unlike “Ray,” however, it makes no attempt to cast Cash as a legend in the making, choosing instead to focus on his humanity. Nothing is overdramatized, a wise choice when dealing with a man with a voice like sandpaper...

Author: By Alexandra M. Fallows, CONTRIBUTING WRITER | Title: Walk the Line | 11/17/2005 | See Source »

...Wyath, Hopper, Stella, Chagall, Calder, Man Ray??that’s a cool one, isn’t it?—all of them were stereoblind,” Livingstone said, as she flipped through images of their lazy eyes in a PowerPoint presentation...

Author: By B. BRITT Caputo, CONTRIBUTING WRITER | Title: Study Probes Artist Vision | 2/28/2005 | See Source »

...tune (which incidentally shares a rhythm with the Velvet Underground’s monolithic and massively influential “Sister Ray??) came across as an averaging of the band’s entire output as well as input, merging both their old and new styles with those of their progenitors. By the end every eye was transfixed on Wareham: the past and the future were both on stage at once, and it was beautiful...

Author: By Eric L. Fritz, CONTRIBUTING WRITER | Title: Luna’s Light Finally Dims | 11/12/2004 | See Source »

...Nicholas Ray??s 1955 social statement is badly written, badly acted and badly dated. Some of its scenes are put together wonderfully—particularly the nighttime car race—and there’s also the treat of a very early turn from Dennis Hopper. But, at its core, this is a movie where James Dean screws up his wax sculpture of a face and screams, “You’re tearing me apart!”—a movie that mistakes cheap melodrama for genuine humanity and whose worldview...

Author: By Crimson Staff, | Title: Listings, Nov. 14-20 | 11/14/2003 | See Source »

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