Word: raye
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Dates: during 1960-1969
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...Ray Vernon leaned over to Bob Bowie, and explained that I was voicing the criticism of those who thought that foreign policy was decided by a small group in the CIA. the Pentagon, the CFIA, and the White House. Then he smiled...
...Ray Vernon was sure by now he had judged me correctly. Similarly, outside of Ford's office, a reporter for some newspaper stood staring at the second floor Faculty Room as I appeared. He moved over to me and asked...
...take it Ray. That government you worked for this summer came to power by murdering 500,000 people. And the murders didn't even make the front page of the Times. I think all that it got was a short article in Life. But then as Bob Bowie said earlier...
...Ray Vernon continued. "Three of us went there this summer to try to help Indonesia make foreign investments an asset instead of a liability. We found that Indonesia had been underestimating its capacity for investments. We recommended first a primer on how to judge strength for investments, and second, that they be less forthcoming with tax-exemptions to foreign investors. We find, however, that it is not a zero-sum game, if Ican use the jargon of the trade...
...previous Hitchcock largely because it deals with neurosis and obsession. The advent of these themes in Hollywood during the late forties and fifties led to masterpieces from most of America's greatest directors: Hawks's Red River. Sirk's Written on the Wind. Ford's The Searchers, most of Ray. Frank Borzage is especially illuminating. His extremely strong, even deterministic way of shooting people's actions had always outweighed the romantic and sentimental conception of personality beneath his plots. The addition of an obsession with murder to a desperate love in Moonrise (1948) let his character material live...