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...updating the script, Barbara Benedek and David Rayfiel have too often substituted topical one-liners (some of them quite funny) for well-joined badinage. This has a distancing effect. Even worse, someone made a disastrous decision to lengthen the early sequence in which Sabrina finds herself in Paris. Wilder got through her maturation at montage speed; Pollack lingers over it for 20 inconsequential minutes, a bring-down from which the movie never quite recovers...

Author: /time Magazine | Title: KISSING COUSINS | 12/18/1995 | See Source »

Intersection is -- earnestly, self-consciously -- a movie for grown-ups. It is made by veteran adults (director Mark Rydell; writers Marshall Brickman and David Rayfiel). It takes up a "mature" (if not exactly original) theme, that of a man torn between the responsibilities of marriage and the delights of a young mistress. It comes to an ending that is both tragic and neatly ironic. And it is a movie that does not for one minute draw you into its life, make you believe in its reality...

Author: /time Magazine | Title: Out of Touch | 1/31/1994 | See Source »

WRITERS: DAVID RABE, ROBERT TOWNE, DAVID RAYFIEL...

Author: /time Magazine | Title: Wrong Arm of The Law | 7/5/1993 | See Source »

HAVANA Directed by Sydney Pollack; Screenplay by Judith Rascoe and David Rayfiel...

Author: /time Magazine | Title: Cinema: Here's Looking at You, Muchacha | 12/17/1990 | See Source »

Directed by LAMONT JOHNSON Screenplay by DAVID RAYFIEl...

Author: /time Magazine | Title: Cinema: Marinade | 4/19/1976 | See Source »

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