Word: raying
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Dates: during 1950-1959
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Dada, the yeasty nihilistic movement of post-World War I days, seemed tired and tattered, its once-youthful stars well past middle age. Even the exhibits had lost most of their punch-Man Ray's ticking metronome with a staring eye impaled on the blade, entitled Object to Destroy; Marcel Duchamp's bearded and mustachioed version of the Mona Lisa; a mirror into which visitors peered until they saw the title, Portrait of an Imbecile...
...band of young, self-styled "reactionary nihilist intellectuals" who call themselves the Jarivistes flung handbills riotously into the gallery. "We Jarivistes advise the Dadaists, surrealists and consorts that the reign of minus is over . . . Long live poetry!" Then, grabbing Object to Destroy, they were gone-but with Dadaist Man Ray puffing after them, crying: "They're stealing my painting!" Not far from the gallery, the Jarivistes stopped and set down the one-eyed metronome. One of them hauled out a pistol, took aim and fired, destroying Object to Destroy. At that point the police appeared, late but ardent...
...Jarivistes readily announced that they "are not surrealists but sure realists," not a movement but "motion itself, perpetual motion." To their objections to Dada, Man Ray wearily noted: "These things were done 40 years ago. You are demonstrating against history." A police official mused: "Why shoot it?" But last week, as visitors flocked to the show, Tristan Tzara, the grand old man of Dada, was delighted. "Isn't it wonderful?" he murmured nostalgically...
Korea, Sept. 6. 1950. The North Koreans have broken through the Naktong line. An American platoon is isolated, surrounded. Says the lieutenant (Robert Ryan): "We walk out." Then comes a stroke of luck. A jeep comes roaring across an open field. Passengers: a bitter, combat-weary sergeant (Aldo Ray), and his shell-shocked colonel (Robert Keith), debris of a distant battle. The lieutenant takes over the jeep at gunpoint, loads the ammo on it, forces the sergeant to march with the platoon to Hill 465. But is the divisional HQ still there...
...sergeant are literary, to say the least. But the characters are not. They typify believably the two best kinds of fighting men. The lieutenant is the steady, intelligent, responsible leader of men; the sergeant is the gifted killer. On Director, Anthony Mann's restraining leash, Actors Ryan and Ray work with a held-back intensity that admirably suggests the low-grade, chronic anxiety that fighting men run like a fever...