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Duchamp exhibited a urinal as art. He shocked New York when he was in his 20s with a painting supposedly of a nude woman descending a staircase, which had no woman visible, just strange, machine-like, abstract forms. All three artists did parody paintings, mocking taste. Ray painted in a bright, cheerfully kitsch style recalling décor in the background of middle-class apartments in old Hollywood movies. Picabia painted textured abstracts that had nothing but a few primitive dots on them resembling enlarged points of light. (In 1950, the art critic for TIME said they...

Author: /time Magazine | Title: Marcel Duchamp: Anything Goes | 2/27/2008 | See Source »

...exhibition at London's Tate Modern features three heavy hitters, the Frenchmen Marcel Duchamp and Francis Picabia, and the American Man Ray. They are associated with the Dada and Surrealism movements, but they were friends before these existed, and after they ended. Of the three, Duchamp is the towering genius. Out of his own interests, phobias and distractions, he created a new aesthetic that has survived to become the reigning spirit of today's art world. Its key idea is that anything can be a work of art. Everyone has encountered this notion. No one quite knows what it means...

Author: /time Magazine | Title: Marcel Duchamp: Anything Goes | 2/27/2008 | See Source »

...object untransformed, just presented in a gallery and given a title. Andy Warhol ran with this idea in the 1960s, and so do Jeff Koons and Damien Hirst today. Art students are in awe of it. It was Duchamp who invented this concept, and his friends Ray and Picabia remained fascinated by it all their lives, even if they didn't wholly practice it; Ray used a lot of different materials, from photography to collage, and Picabia was always a painter, if a weird...

Author: /time Magazine | Title: Marcel Duchamp: Anything Goes | 2/27/2008 | See Source »

...Subversion Of the three artists, Picabia was the oldest by eight years. He was 32 when he met Duchamp in 1911. (Duchamp later said he was impressed both by Picabia's high standing in the Paris art world and by his daily intake of opium.) Ray and Duchamp were friends by 1916, when they both started working for an avant-garde art gallery in New York City; Ray was 26, Duchamp 29. Picabia was born into a wealthy family, inherited a fortune and lived the life of a playboy. Duchamp, the son of a notary, was brought...

Author: /time Magazine | Title: Marcel Duchamp: Anything Goes | 2/27/2008 | See Source »

...exhibitionists in the pathological sense, having themselves photographed in nutty get-ups: Duchamp with his hair shampoo-lathered into devil-horn shapes or shaved in the form of a star, or dressed up as a woman; Picabia with his bare chest puffed out, posing as a classical god; and Ray in a photographic self-portrait with half a beard...

Author: /time Magazine | Title: Marcel Duchamp: Anything Goes | 2/27/2008 | See Source »

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