Word: raymonds
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Dates: during 1980-1989
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...this pattern with two important appointments. As Archbishop of Philadelphia, he chose Anthony Bevilacqua, 65, who had handled the ouster of a pro-choice nun in 1983. The see of Pittsburgh went to Donald Wuerl, 48, who had earlier been assigned to keep watch over Seattle's liberal Archbishop Raymond Hunthausen. Resentment over the Hunthausen affair is one cause of mistrust and disagreement between the Vatican and the U.S. hierarchy. In the hope of improving relations, several dozen U.S. bishops will travel to Rome in March for a highly unusual face-to- face meeting with the Pontiff...
...suppurating surface, this writer, Philip Marlow, is as racked and brilliant as the man who created him. Marlow, who relishes the cheap irony that his name echoes that of Raymond Chandler's famed sleuth, is a failed novelist hitting 50 with a terrifying thud. His career has been sidetracked by illness and bile. His marriage to an actress (Janet Suzman) is just an awful memory. He lies in a London hospital with psoriatic arthritis, a crippling condition of the skin and bones. The pain and the pain-killers force Marlow's mind down strange old country lanes and treacherous culs...
Cunning, cynical young Charlie Babbitt (Tom Cruise) learns he has been cut out of his father's $3 million estate, which has gone to an older brother, Raymond (Dustin Hoffman), whom he did not know existed. Ray has long been institutionalized because he is an autistic savant. He has a genius for instant mathematical calculation, but he keeps reality and affection at bay by piling barricades of useless information around himself and by insisting, maddeningly, monotonously, monomaniacally, that certain routines, involving meals and TV viewing, be rigorously observed. Charlie abducts him, hoping to gain control of his inheritance, and they...
...situation triggers certain expectations. Surely responsibility -- and the workings of the popular belief that mental illness can be a form of saintliness -- will make Charlie a better, more caring person. And perhaps, freed of institutional constraints, warmed by fraternal bonding, Raymond may get better, since that too is a convention of this kind of drama...
This honest rejection of fraudulently uplifting sentiment is admirable in a way. But Rain Man's restraint is, finally, rather like Raymond's gabble. It discourages connections, keeping you out instead of drawing you in. -- Richard Schickel...