Word: rays
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Dates: during 1970-1979
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...unheralded third varsity boat of Keith Intrater, Dick Green, Charlie Haynes, R.T. Lyman, A.P. Quigley, Trum Cary, Bruce Ferguson, Ray McConaghy, and cox Glenn Bouchard capped off an undefeated 4-0 season with a narrow two-second win over the Princeton third boat...
...saved his two trump cards for the second act, but he revealed to his attuned audience a series of high card student performers who injected new life into some of the old jazz standards. The two numbers which lingered longest in Sander's hot summer air were, no doubt, Ray Brown's "Is There Anything Still There," and Duke Ellington's stock favorite "Satin Doll." Brown's eloquent tune featured a deep sax solo in the Coleman Hawkins vein by Jim Scales, who unfortunately had to battle a couple of over-zealous trumpeters to be heard. "Satin Doll," a likely...
...certain was that Nixon was orchestrating a major campaign to win public support for a limited response to the subpoena, apparently in hopes of forcing the committee to accept it. An aide said that the blitz probably would include a prime-time television speech. In addition, White House Speechwriter Ray Price worked all week on a White Paper to explain Nixon's reasons for not turning the tapes over to the committee. Senior presidential aides-among them Dean Burch and St. Clair-were offered to television networks for interviews this week...
...appreciate them acting as if secretarial work is the lowest form of human endeavor. Sisterhood across class lines is a myth." Nor do many blue-collar women share the white-collar feminist's interest' in rising to high-level jobs. "We're laundry workers, X-ray technicians and the like," explains Elinor Glenn, of North Hollywood, Calif., a member of Local 434 of the Service Employees' International. "Our women are already out of the kitchen and it's not romantic. It's a matter of bucks." Says Union Member Anne Lipow: "Labor women...
...will probably miss something good. Among the movie's major attractions are a one-eyed centaur, a winged griffin, a six-armed bronze goddess who comes to deadly life, and a rather testy flying homunculus. These creatures have their origin in the imagination and the work shop of Ray Harryhausen, a special effects whiz. He brings them all alive in a process called Dynarama, which would appear to combine equal portions of stop-action photography, elaborate multiple exposures and a kind of gentle necromancy. Golden Voyage is really just an excuse to show off Harry hausen's commodious...