Word: rays
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...discuss the Cabaret Voltaire, the local tavern where the Dadaists met for conversation, poetry and drama; and introduce Dada's large cast of characters through their portraits. These pictures, many of them photographs, bring a sense of reality to artists who would have none of it. The photographer Man Ray stands amid what appears to be a collapsed building, André Breton puts on huge spectacles, Marcel Duchamp and Joseph Stella pose together on a sofa, while Tzara, Max Ernst and Jean Arp relax on a Tyrolean holiday. In one photo Sophie Täuber-Arp holds the fanciful Dada...
Your attempts to emulate Rachael Ray burn a lot of power, never mind garlic. The refrigerator alone accounts for at least 9% of a home's energy usage, or $117 a year. Cover food to avoid moisture buildup, which makes the fridge work harder, and close the door quickly. As for the range, match the pot to the burner. Better yet, use the microwave instead, to cut energy two-thirds...
...intimidated into selling my funeral home to Ray Loewen, despite the account that appeared in your article. Loewen was one of four potential purchasers my sons and I considered, and he became our first choice, a decision we have never regretted. The account of Loewen's threatening to build a competitive funeral home misrepresents the events that occurred and the positive atmosphere of the transaction. JOHN WRIGHT, President Wright & Ferguson Jackson, Mississippi...
...seeing the absolute bottom of the arc of foreign-language films playing in U.S. theaters," says Bingham Ray of October Films. "I love these films and want to support them, but it's a real uphill struggle. You feel like Sisyphus." Ray's company distributed The White Balloon, the lovely Iranian fable that the New York Film Critics judged the best foreign-language film of 1996, but which has grossed less than $1 million in its year's release...
...foreign genre wasn't dead, it was missing. Some of the best directors died (Truffaut) or retired (Bergman). Others kept working, but in the U.S. their work was shown sporadically at best. The last films Fellini and Satyajit Ray made never opened here; neither have the most recent films by Godard, Resnais, Antonioni and Kurosawa. The Netherlands' Paul Verhoeven (Spetters) joined a century-long exodus of European talent to Hollywood (where he made Robocop and Showgirls). Denmark's Lars von Trier (Breaking the Waves) stayed in Europe but made films in English. That leaves a new generation of world masters...