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Usage:

...RC: Well, I think physical pain, long-lasting physical pain like that, can really sweeten a work of art. Not sweeten the process. Sweeten the result. [Laughs...

Author: By Abe J. Riesman, CRIMSON STAFF WRITER | Title: Rivers' End | 4/26/2006 | See Source »

...RC: No! No more knives...

Author: By Abe J. Riesman, CRIMSON STAFF WRITER | Title: Rivers' End | 4/26/2006 | See Source »

...RC: I’m working on a song called “Pig,” which, ah, follows the life of a pig, from when it’s just a little piglet on the farm, playing with other animals, to a point where it’s grown up and married and has kids, but then it eventually [laughs], it gets slaughtered...

Author: By Abe J. Riesman, CRIMSON STAFF WRITER | Title: Rivers' End | 4/26/2006 | See Source »

...RC: Not intentionally, no. But, he’s singing to the farmer at the end of the song. He’s forgiving him. As he’s going to be slaughtered...

Author: By Abe J. Riesman, CRIMSON STAFF WRITER | Title: Rivers' End | 4/26/2006 | See Source »

...RC: [Laughs] I haven’t done enough writing lately to know how [they’ve] influenced me. I can say that we’re reading a book—“Stedman’s Surinam”—and a lot of the descriptions of the treatment of the slaves in this book are very moving, and it’s very likely that that could result in a song that’s an observation of the slave-master relationship...

Author: By Abe J. Riesman, CRIMSON STAFF WRITER | Title: Rivers' End | 4/26/2006 | See Source »

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