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...EVGENY KISSIN: CARNEGIE HALL DEBUT CONCERT (RCA, 2 CDs). For once, a Russian pianist who deserved all his pre-debut hype. In September 1990, before the toughest audience in the world, Kissin, then 18, wowed 'em with Schumann, Prokofiev, Liszt and Chopin...

Author: /time Magazine | Title: Best of 1991: MUSIC-POPULAR | 1/6/1992 | See Source »

...CHIEFTAINS: THE BELLS OF DUBLIN (RCA Victor). Is it too late for season's greetings? Not when they're as enterprising and altogether buoyant as this collection of Christmas songs by the great Irish traditional band, who augment their fiddles, harpsichord and Uilleann Pipes with vocal accompaniment by such % diverse characters as Elvis Costello, Rickie Lee Jones and Marianne Faithfull. A real Christmas treat...

Author: /time Magazine | Title: Critics' Voices: Dec. 30, 1991 | 12/30/1991 | See Source »

...show suggests surprising formal continuities in works whose subjects are radically different. "Monolith-- The Face of Half Dome" (1927), one of Adams's mountain scenes, is paired with his decisively urban 1940 print of the RCA Building in New York. Both works focus on a structure of monumental scale. Yet Adams crops both photos so that the viewer sees parts of other, similar details in the surroundings--other mountains in the former, other buildings in the latter. The effect is to focus our eye on the overall scene and atmosphere rather than simply the massiveness of the central subject...

Author: By John M.biers, | Title: Trying to Be Cultured? Visit the Museum of Fine Arts | 10/24/1991 | See Source »

GRAHAM PARKER: STRUCK BY LIGHTNING (RCA). Don't get in this man's way: "She's a living example," he sings, "of God's bad taste." And that's a love song; well, sort of. It's typical of the venom-tipped but still lyrical reflections stashed throughout the 15 tunes on this high-velocity workout by one of the orneriest but most beguiling rockers in the neighborhood...

Author: /time Magazine | Title: Critics' Voices: Mar. 25, 1991 | 3/25/1991 | See Source »

...audience enters the theater, they are greeted as if present at a Rydell High School reunion. The set is painted with images from the 50s: a juke box, the old RCA record label and period Pepsi bottlecaps. The effect is eye-catching, if a bit unconnected to the events of the play...

Author: By Margaret H. Gleason, | Title: It's Groove and Meaning | 3/15/1991 | See Source »

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