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EVGENY KISSIN: CARNEGIE HALL DEBUT CONCERT (RCA Red Seal). From his daringly slow opening statement of Schumann's Symphonic Etudes, and throughout this recital of challenging works by Liszt, Chopin and Prokofiev, the Soviet prodigy, now 19, shows a potential for future greatness, with a command of tone, dynamics and phrasing that is always at the service of musical ends...

Author: /time Magazine | Title: Critics' Voices: Mar. 11, 1991 | 3/11/1991 | See Source »

...Complete Caruso (RCA Victor). The master's voice: Enrico Caruso's matchless discography (1902-20), now released on 12 CDs. At home in everything from Puccini arias to George M. Cohan's Over There, Caruso continues to be revered, rightly, as the greatest Italian tenor who ever lived...

Author: /time Magazine | Title: Best of '90: Music | 12/31/1990 | See Source »

HOROWITZ: MUSSORGSKY/TCHAIKOVSKY (RCA Victor Gold Seal). A more breathtaking display of the piano's orchestral powers can hardly be imagined than Vladimir Horowitz's 1951 Carnegie Hall performance of Mussorgsky's Pictures at an Exhibition. He summons a galaxy of dynamics and colors from the instrument until, in the finale, he builds a mountain of gloriously controlled sound. The disk also includes Tchaikovsky's popular Concerto No. 1, conducted by Arturo Toscanini. A piano lover's dream...

Author: /time Magazine | Title: Critics' Voices: Dec. 10, 1990 | 12/10/1990 | See Source »

...along. After intermission, he tamed the ferocious Sixth Sonata by Sergei Prokofiev and concluded with Liszt's familiar Liebestraume No. 3 and his exotic Rhapsodie Espagnole. The audience rewarded him with a prolonged standing ovation, and Kissin capped the afternoon with four encores. (Rushing to capitalize on the excitement, RCA Victor Red Seal will have its recording of the recital in the stores...

Author: /time Magazine | Title: Music: Evgeni Kissin, New Kid | 10/29/1990 | See Source »

...Maybe people will develop new voices again," muses guitarist Howard Alden. "But with the knowledge of the traditional background, it will have more depth." Saxophonist David Sanborn, 45, a top-selling fusion artist, thinks that many of the current acoustic players may start experimenting with more high-tech sounds. RCA's Backer foresees an eclectic middle ground. Says he: "The significant artists of Wynton's tradition will continue to be important in the '90s, but they will coexist alongside more probing, experimental artists...

Author: /time Magazine | Title: Wynton Marsalis: Horns of Plenty | 10/22/1990 | See Source »

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