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...Member of the Wedding (adapted by Carson McCullers from her novel; produced by Robert Whitehead, Oliver Rea & Stanley Martineau) has much the value of a bit of garden amid asphalt and city smoke. Its virtues are refreshing and uncommon on Broadway, and its writing largely excuses its playwriting. For Carson McCullers' novel suffers from haying been made into a play-or, rather, from not having been...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Jan. 16, 1950 | 1/16/1950 | See Source »

...other side, the utilities argue that the lower rates are a sham. Private companies pay 16 percent taxes while public ones pay six or seven percent in lieu of taxes. Public plants can also obtain finances at a low interest rate from the REA while the private company must go to the money market. This last argument has less significance that it used to because of the fallen interest rate. But these companies insist that the tax differential amounts to a subsidy of the public plants. Their argument is summed up in a caption that appeared under a picture...

Author: By Edward J. Shack, | Title: BRASS TACKS | 11/30/1949 | See Source »

...GARDNER REA...

Author: /time Magazine | Title: Letters, Aug. 8, 1949 | 8/8/1949 | See Source »

...Look About You." Monte Cassino's abbot, white-haired Ildefonso Rea, last week recalled that the Abbey's motto is succisa virescit (cut down, it grows again). He said quietly: "This monastery was founded in the 6th Century. Four times* it has been destroyed, and every time, no matter how long it took, Monte Cassino has risen again. Nature shows us the urgent will to live. Look about you. Half-burned tree trunks are sprouting fresh and vigorous shoots...

Author: /time Magazine | Title: ITALY: Succisa Virescit | 9/6/1948 | See Source »

Crime and Punishment (adapted from Dostoevsky's novel by Rodney Ackland; produced by Robert Whitehead & Oliver Rea) is perhaps too great a novel to be tampered with. But by the same token it would seem able to withstand a lot of tampering. Dostoevsky's great study of crime and punishment is also a tense story of crime and detection. Before its arrogant Nietzschean murderer Raskolnikov (John Gielgud) is guided toward confession and atonement by a humble Christian prostitute (Dolly Haas), he is played with, cat-&-mouse, by the Moscow police...

Author: /time Magazine | Title: New Play in Manhattan, Jan. 5, 1948 | 1/5/1948 | See Source »

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