Word: reacts
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Dates: during 1960-1969
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...some years now, I have been smliing smugly every time some university president reacts to student unrest by calling in the police, and the police deal with the situation no-holds-barred. I have assured myself complacently that Harvard is too sensible, too enlightened to react like that. But yesterday I discovered that the spirit of Josiah Quincy is not dead by any means. Even a history-conscious institution like Harvard, with so much history to learn from, ends up behaving as vindictively as the most callow, raw land-grant college in the country...
...officials argued that defense of the lumbering spy planes requires many jet fighters. Ostensibly, the size and power of TF-71 were intended to discourage North Korea from further adventurism. But there was also a domestic political consideration. During the presidential campaign, Nixon had maintained that the U.S. should react to small provocations lest they grow into large incidents. There were plenty of hawks around last week to remind him of that remark...
Radical romanticism is what you read about in those oddly-numbered CRIMSON radicalism articles on Wednesdays. It seems, at present, to have something to do with rock music, mysticism, the carpe diem motif, and the notion that "things aren't caused, they just happen--then we react or categorize." It has a lot to do with self-expression. That's why the best and most creative people can afford to be romantics. But perhaps there are times when none of us can afford to be romantics...
Maybe there isn't much on paper besides ideas, but in ideas, ultimately, lies the power of any presidency. And therein is the promise. He wants to try to manage the changes in this country, rather than react to them, and so he would like to spend more time and money on those underprivileged children in their first five years, to funnel some of the federal tax funds back to the statehouses and the city halls. Yet large questions remain. Can Nixon move vigorously from the planning and organization phase to action? Has he been too slow in addressing...
...which Fyodor stands looking up at Olga); and in these ways subtly influence and define people's appearances and actions. Here, however, the influence is one-way. People cannot change objects as they can change other people; objects resemble in order to mirror, to comment. Sirk's characters react at crucial moments against this unchangeability-with-mockery by smashing object (Fyodor's violin). But they can only destroy them--never shape their surroundings to themselves. Indeed, as characters are worn down by frustration of their wishes and tensions between contrary desires, objects come more and more to shape their actions...