Word: reader
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Dates: during 1920-1929
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...until eleven years later, after he had given promise of success in this profession, did Thomas Hardy write his first novel, The Poor Man and The Lady. This fell into the hands of an intelligent publisher's reader, the later famed George Meredith, who returned it promptly because it lacked plot. Desperate Remedies desperately remedied this defect, but supplanted it with many others. Under the Greenwood Tree attracted more favorable notice, and in 1874 the Cornhill Magazine published anonymously Far from the Madding Crowd. Its enormous success was in part due to the fact that many painfully unobservant readers...
...taken English 12, picked up "The Copeland Reader" and browsed at random, or sat entranced under the spell of Professor Copeland's reading can have failed to realize his personification of Harvard's gentleman liness and scholarship. Any one of these experiences would be more than sufficient to make the announcement of Professor Copeland's resignation from the Faculty tragic if the fact of his resigning made it conceivable that he would lose one iota of his nearness to the University. He is and ever will be Harvard's as much as University Hall is Harvard's, and into Hollis...
...writer strives to create . . . In advertising puffs . . . especially in advertising snowy linen . . . and beautiful silver . . . and trips to the Riviera . . . and other nice things . . . it has superseded all other punctuation. . . . But it is also being widely used in novels . . . where the comma has gone into a decline . . . and the reader reads in a coma . . . Even in the psychological study. . The Locomotive God . . . the interesting and painful experiences of the author's youth . . . are separated not by the passage of time . . . but by dots in groups of three. . . . Nor are they the type of interesting experience that was some years back...
...letters which amuse when exhumed by biographers. And as one lapses into the more familiar denotation, it is easy to sce how this new usage follows in the tradition of moving pictures and illustrated papers, in lifting from the people the burden of thought. The comma brings the reader to a sharp pause, and a consideration of the ground covered, but these other tracks flow gently on through vague words of pleasant connotation, rather impressively indeed. And unprovoked to thought, the reader can wander after them through a haze of prettily blurred pictures. This is no solemn warning however...
...There is no mistake either of fact or emphasis in the whole article. It seems in fact the perfect type of historical writing. The knowledge on which it is based is so broad and so mature that Professor Coolidge never had to stop the flow of his reader's thought by introduction of small facts as so many modern historians feel that they have to do."COOLIDGE...