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Apparently, there is only one man in the entire world who is qualified to feed the bubble sheets into the reader machine. And he lives on a mountain-top in Tibet. When study cards are handed in late, he must be recalled, a proposition made all the more expensive by the fact that this bubble-sheet guru refuses to travel by any means except on the back of the long-haired mountain...

Author: By David H. Goldbrenner, | Title: HAVE YAK, WILL TRAVEL | 2/10/1996 | See Source »

...page novel that calls itself 'Infinite Jest' (Little, Brown; $29.95) is doubly intimidating. First there is its length. Second, the title itself hints that the joke may be on the reader. By definition, infinite means no punchline. Yet David Foster Wallace's send-up is worth the effort, says TIME's R.Z. Sheppard. "There is generous intelligence and authentic passion on every page, even the overwritten ones where the author seems to have had a fit of graphomania. Characters and events are propelled by a distinctive prose that frequently mixes teenage trash talk and intellectual abstraction, a Bevis-and-Egghead...

Author: /time Magazine | Title: Books: Infinite Jest | 2/9/1996 | See Source »

...reader will note that I have written a book about racial oppression without using the term 'racism,'" concludes Harvard Lecturer Noel Ignatiev in his new book How the Irish Became White. Contrary to the implication, this feat of catapulting over the single most divisive 'ism' in the English language required no linguistic acrobatics, only a careful scrutiny of the historical record. As theorists have long since suggested, the elevation of whiteness above blackness in America's northern cities originated in economic greed, developed into wage competition, and then sustained itself with bogus 'race' theories only after black degradation was already...

Author: By Thomas Madsen, | Title: Ignatiev's Book Probes Race Wound | 2/8/1996 | See Source »

Also worth remarking is Koyanis clause, "aimed at a general reader." The Introduction to my Poetic Work of Emily Dickinson explicitly states that the collection was prepared with the non-specialist in mind. The Harvard Press's copyright-and-permissions manager suggest that this purpose is a principal reason why a text such as mine is "not in the best interest of preserving or presenting the integrity of the Dickinson work." But what can Koyanis mean by the "integrity of the Dickinson work"? My Introduction details a notion of "poetic work" as an open-ended process that one widely respected...

Author: NO WRITER ATTRIBUTED | Title: University Press Unfair to Opus | 1/24/1996 | See Source »

...most troubling element of Koyanis' statement is the implied attitude toward the general reader. The idea seems to be that any print version of Dickinson poems designed--like "Final Harvest?" --with the non-specialist in mind threatens the integrity of the poet's work...

Author: NO WRITER ATTRIBUTED | Title: University Press Unfair to Opus | 1/24/1996 | See Source »

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