Word: readerly
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Dates: during 2000-2009
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...safe haven of Pennsylvania did not mean that the family could forget its troubled past. In several topical poems Lee pitilessly documents restive scenes from his stolen childhood, for him not so much a paradise lost as one never had. "A Hymn to Childhood," addressed either to the reader or to himself in the second person, has soldiers smashing a mother's china, while "you pretended to be dead with your sister in games of rescue and abandonment." The poem "Self-Help for Fellow Refugees" opens with his father being bundled into a truck by either government forces or fearsome...
...scrutiny. She took the risk, says the source, because she wanted "to tell her version of the reality behind the many myths and try to correct the distorted representation of her that evolved from years of negative press ... Her book is a love story and a journey which the reader travels on with...
...watched Obama put a church audience to sleep. The problem was deeper than speaking style. Obama was a cultural outsider. Rush attacked his Ivy League education, using the E word for the first time. "He went to Harvard and became an educated fool," the Congressman told the Chicago Reader. "We're not impressed with these folks with these Eastern-élite degrees." Not growing up on the South Side raised other suspicions about Obama. So did his white mother and his Establishment diction. Obama's first encounter with racial politics was over the perception that he wasn't black enough...
...books were that great in the first place. They felt crude and overwrought and underthought to me, and maybe as if Frey were just a little too proud of what a thorough mess he'd made of his life. Yes, he violated the unwritten contract between writer and reader. I wouldn't blame anybody for being mad at him. I just wasn't that invested...
...Star Trek references. His determination to entertain is almost vaudevillian. Lahiri's stories are grave and quiet and slow, in the 19th century manner. They don't bribe you with humor or plot twists or flashy language; they extract a steep up-front investment of time from the reader before they return their hard, dense nuggets of truth. It's difficult to quote from her stories: they refuse to sum themselves up with a neat final epiphany, and Lahiri doesn't write one-liners. "I approach writing stories as a recorder," she says. "I think of my role as some...