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...years of my total of 20, about a third of my lifetime! But today, today, I am going to exorcise your ghostly grip.You see, in the article that you wrote so many years ago, you put forth a claim that has bothered me, a self-identifying reader (and sometimes, in my more self-indulgent and pompous moments, a self-proclaimed bibliophile), ever since. If I recall rightly, in that notorious article, you declare, “solitary pleasure is...the only real reason for reading.” You eviscerate the straw men who expound reading’s defense...

Author: By Sanders I. Bernstein, CRIMSON STAFF WRITER | Title: Five And A Half Years Later, Bernstein Bites Back | 4/10/2009 | See Source »

...blends black comedy, amateur psychology, and homage to Homeric epithet, like “Don Juan the Rib, in civilian life a hairdresser, and additionally, a musician.” Epithets like this one, while routine, help define the characters as much for Jerzy as they do for the reader. But as it turns out, the validity of their stories is uncertain; Jerzy stakes his position in the rehabilitation center by retelling (or rather, recreating) the lives of the various alcoholics. A typical truck driver becomes the Most Wanted Terrorist in the World; a hairdresser and musician becomes Don Juan...

Author: By Will L. Fletcher, CONTRIBUTING WRITER | Title: Alcoholic 'Angel' Proves Formidable | 4/2/2009 | See Source »

...even recognize him physically as a human: “[Bachmann] hauled off and poked his stick into the ghost’s side. It writhed with pain and made faces. You’ve hurt my kidney, the critter whimpered.” Though the reader and Bachmann eventually learn that Schnotz was once just as inhuman a soldier as he is now a woodland critter, Schnotz’s Gollum-like wildness emphasizes his pathetic fall from the military, society, and humanity. In addition, Lind captures his subjects with kind of dual childishness and precision; in sketching...

Author: By Jenny J. Lee, CRIMSON STAFF WRITER | Title: A Nazi Lost in the 'Concrete' | 4/2/2009 | See Source »

...mythic allegory, and it greatly hampers Rodoreda’s attempt at the creation of a satisfying fictional universe. Whether the novel’s emotional gap is a result of Tennent’s translation or Rodoreda original work, other aspects of the novel are simply inaccessible to readers outside the Catalan culture. Recurring images and motifs are, for the same reason, often mysterious. What is the significance of “wisteria” to the author? We are treated to images of wisteria flowers after wisteria flowers, even a “wisteria-laden night...

Author: By Keshava D. Guha, CONTRIBUTING WRITER | Title: Death Springs Eternal, But Not Much Else | 4/2/2009 | See Source »

...couple of decades thereafter, 3-D would make a comeback. The lightweight sex comedy The Stewardesses, filmed in single-strip Stereovision, was a hit in 1970; and the first hardcore 3-D movie, The Starlets, came out in 1977. (I leave the stereoptical effects of this picture to the reader's imagination.) The 1983 Jaws 3-D, utilizing a single-camera process called Arrivision, was an example of several horror series whose third episode was in 3-D (Friday the 13rd Part 3, Amityville 3-D). That 1990 TIME story was heralding a liquid-crystal technology called IMAX Solido. Since...

Author: /time Magazine | Title: 3-D or Not 3-D: That Is the Question | 3/28/2009 | See Source »

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