Word: readers
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...Oscars for Best Picture, Directing and Adapted Screenplay. It has already snagged top prizes from the producers', directors', writers' and actors' guilds. It's also earned nearly $80 million at the domestic box office--far more than the combined take of three of its Best Picture rivals, The Reader, Frost/Nixon and Milk. (The Curious Case of Benjamin Button, which absent Slumdog might have been the film to beat, has grossed more than $120 million.) Though set in Mumbai, Slumdog has become a new American idol. The other films may as well sign up for Biggest Losers Ever...
...five finalists are fine films. But The Reader, Frost/Nixon and Milk aren't so much movies as TV movies: sensitive explorations of major political themes, little pictures on big subjects. It's the stuff more likely to show up on HBO than at the AMC multiplex. Why does the Academy keep citing these (excellent) little movies over the (excellent) big ones, whose scope and excitement can't be duplicated on the small screen? (See the 100 best movies of all time...
Luckily, all four of us had a few things in common. We hated The Curious Case of Benjamin Button and had no idea that The Reader wasn't a children's magazine. We also thought Jackman shouldn't tell any jokes and should instead open with a big musical number that references the recession. But every good concept we had we immediately killed because it reminded us of Billy Crystal. You would think that would be a good thing, since Crystal was the most beloved Oscar host ever and got the job eight times. But comedy writers are far more...
...thing that makes it more complicated than, say, a TV show or a novel is that you as the player have choice. You can always do any of five or six things at once." Imagine Victor Hugo trying to write Les Misérables with Jean Valjean under the reader's control and you'll get some idea of what Houser is up against. The player is both the audience and the ghost - a mischievous poltergeist - in the machine...
...clear what cards “They” hold, it’s evident that Vargalas’ hand is not strong enough to win.Of the four narrators, Vargalas has the most interesting hand at the table. His narrative spans the majority of the book, and trains the reader to see Vilnius with Vargalas’ self-purported “second sight,” which pays no heed to physical realities, but is acutely aware of the ethereal presence of “Them.” “I had never known the ordinary world...