Word: readers
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Begay, a New York City-based freelance photo editor, starts by scouring Twitter and reader recommendations with her boyfriend. She then sits down with Adobe Illustrator and takes anywhere from four hours to a week and a half on each creation. There's no blog-to-book deal in progress just yet, but Begay is selling prints of her works and plans to move to Los Angeles to pursue a career as an illustrator. (See 10 ways Twitter will change American business...
...debauched Ritwik, Gilby is not entirely a success. The drive of her narrative is weak in comparison to the drama, passion and unpredictability of Ritwik's existence, and for much of A Life Apart, the links between her story line and that of her maker are tenuous, leaving the reader at a loss as to how these two interrelate. Only in the book's second half, when Ritwik is living in London illegally, working part-time as a male prostitute and looking after the elderly, incontinent Anne Cameron in exchange for free lodging, do their narratives' symbiotic pas de deux...
...difficult to remain neutral when it comes to war. Mindful of that fact, Sherman takes pains to declare on the very first page of her new book that it is "not a political tract for or against a war." But the reader will nonetheless find much within to hate about armed conflict. It would be hard not to. Based on interviews with 40 soldiers, most of whom served in Iraq and Afghanistan, The Untold War tells tales of mangled limbs and shattered minds, like one about an idealistic West Point prof who went to Iraq and took his own life...
...shape the national debate. But it also incorporates Sarah Palin's Facebook page, the latest Internet attack videos and that e-mail your aunt just sent you. "There is a constant conversation that goes on all day long, through blogs, through cable TV, through Twitter, between reporter, subject and reader," says Pfeiffer, who sits down the hall from the Oval Office. He says his new job is to "make sure we are not getting swallowed up by the swirl...
...begins.” The prologues continue for the first 122 pages, until Fernández includes a blank page with the question “Were those prologues? And is this a novel?” The fine print reads: “This page is for the reader to linger, in his well-deserved and serious indecision, before reading on.” What follows on the next page is not a novel but a love poem. When Fernández finally arrives at his novel, it is surprisingly short and just as self-reflexive, centering...