Word: reading
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Dates: during 2000-2009
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...quickly as possible to stay ahead of one another. To do so, they often used groups of authors to write playbooks in a matter of weeks, paying each author by the scene. The theater companies would then often advertise themselves, rather than the authors, on the published playbooks. (Read "Is This What Shakespeare Looked Like...
...hours over the past two years reaching his verdict on Edward III. "You have to go on hunches - you can't just feed in all the numbers on every play and sit back," he says. "But what I'm hoping to do is bring about a marriage between human reading and machine reading. If you distrust computers, you won't advance at all; if you have just computers and know nothing about literature, you're likely to go wrong as well." (Read about England's 18th century Shakespeare hoax...
...Read "The Mystery of Shakespeare's Identity...
...story topic, what's your reporting process like? It differs. I'm interested in placing things in a larger context and in making lateral connections. A lot of my process is informed by the notion that two mildly good stories put together sometimes equal one really good story. (Read Malcolm Gladwell's TIME...
...issue is not writing. It's what you write about. One of my favorite columnists is Jonathan Weil, who writes for Bloomberg. He broke the Enron story, and he broke it because he's one of the very few mainstream journalists in America who really knows how to read a balance sheet. That means Jonathan Weil will always have a job, and will always be read, and will always have something interesting to say. He's unique. Most accountants don't write articles, and most journalists don't know anything about accounting. Aspiring journalists should stop going to journalism programs...