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...what is anime? Easier to ask: What isn't it? An American cartoon is simple to define. It's Disney--the Disney style of romantic realism, questing kids and cute critters. Anime is all kinds of differents. "There isn't a single artistic style in anime," says Helen McCarthy, British author of four books on the subject, including Hayao Miyazaki: Films, Themes, Artistry. "The major difference from Disney-style animation is the limitless possibilities existing in anime." If you can dream it, anime-tors can draw...

Author: /time Magazine | Title: Amazing Anime | 11/22/1999 | See Source »

...Times since 1997, when Mark Willes, 58, the former General Mills cereal executive, became publisher and vowed to take a "bazooka" to the wall dividing "church" and "state"--the editorial operations and the business side. While journalists quaked, business types argued that it was a needed dose of cold realism for a paper whose profits had dropped and daily circulation had slipped from a peak of 1.24 million in 1991 to 1.1 million. Since Willes gave up the publisher's job to become chairman of Times Mirror Co. earlier this year, circulation remains stalled, but operating profits grew by double...

Author: /time Magazine | Title: Worst of Times | 11/15/1999 | See Source »

...With this film, Mann proves that he is at the top of his form as an actor's director. Mann's cameras work in intimate closeness with his actors. And the cast works well with Mann's studied technique, which forces them into ultra-realism under the camera's close scrutiny. But the astonishing character study that dominates the first half begins to unravel when the film, inexplicably, changes its focus from Wigand to Bergman. Just as Wigand is entering his darkest period, becoming psychologically unhinged, the film cuts away to Bergman and his struggles with the brass...

Author: By Rheanna Bates, CONTRIBUTING WRITER | Title: Where There's Smoke | 11/5/1999 | See Source »

...only about 2% of TV's roster, and with scant exceptions, we generally see a lone gay character associating largely with straights, viewing pals' sexcapades from the sidelines with what-fools-these-breeders-be amusement. But if nothing else, gay and straight characters show a new openness, sophistication and realism, sometimes with the help of consultants; GLAAD worked with McCormack to refine Will after the show's pilot. ("No gay man had hair like Will's, really long in the back," jokes Seomin. "He looked like Jerry Seinfeld.") Certainly much of the biting banter and in-jokes...

Author: /time Magazine | Title: Television: TV's Coming-Out Party | 10/25/1999 | See Source »

...Driver--and, indeed, the movies share the same director, the same screenwriter (Paul Schrader) and the same ambiance (New York's night streets, teeming with hookers and junkies, quickened with the threat of sudden, pointless death). There is also, of course, the same sort of harsh yet slightly fantastical realism and the same sort of antisocial protagonist, who thinks his life might be justified if he could just leave these hellish streets behind. The fact that Frank's vantage point is, like Travis Bickle's, a moving vehicle (in Frank's case, an ambulance), from which one's perspective...

Author: /time Magazine | Title: Cinema: Living with the Dead | 10/25/1999 | See Source »

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