Word: realisme
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...ways, including being mashed into pulp and turned into sake, but always regenerates to induce her slaves into perverse acts of murder and torture. Instead, pity the poor wretches whose eyes turn dark and cheeks become sallow as their will power seeps away. Rendered with a high degree of realism, Ito's drawings and storytelling more closely resemble Western comics than other Japanese imports. This makes them easier to read, in spite of being printed right to left like the other Dark Horse manga books. Full of satisfyingly graphic violence and ectoplasmic f/x, Ito delivers not just the required amount...
...film is certainly worth seeing, both on its own merits as a sly blend of photo-realism and Photoshopping (the death was tricked up by superimposing Bush's face on an actor's body) and as part of a genre that seeks fanciful explanations for historical events or critiques the recent past by setting it in the near future. Call it poli...
...deciphering Picasso's intentions, getting inside his darting, catch-me-if-you-can progress, from Cubism to Neoclassicism, from Surrealism to Guernica, was an all-important matter to that small but crucial category of American artists who had no use for the approved manner of the moment, American Scene realism. Grant Wood's farm folk and Thomas Hart Benton's small-town cuties were fine, if you didn't care about what painting could be. Although Picasso never set foot on American soil, in the intense conclaves of this would-be American avant-garde, his example hung...
...Paris, where he had befriended the indispensable Gertrude Stein and her brother Leo, cocksure tastemakers and champions of Picasso. By that year Picasso and Braque were already off and running through the first stages of Cubism. Meanwhile, advanced American painting, such as it was, meant the Ashcan School realism of Robert Henri and John Sloan or the agreeable borrowings of Childe Hassam and Maurice Prendergast, who were still absorbing what they could from Postimpressionism. Even Cézanne had not entered much into American thinking, much less Cubism and its fierce extrapolations from Cézanne's faceted space...
...share (I Hope I Get It); others in brassy satire very particular to the showbiz world (Dance 10, Looks 3 - which, by the way, was called Dance 10, Looks 1when I saw the show that first time). Some of the dance-rehearsal scenes have an almost documentarylike realism; others numbers a pop-ballad sentimentality. But even the potentially soapy ex-lovers' confrontation between Zach and Cassie is turned into something touching and lovely by the contrapuntal presence of the chorus line in the background, miming their big number...