Word: realisms
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...brownish-orange tumor in his bathroom. Likewise, the unidentified and aimlessly violent homeless man who chases Brian throughout much of the movie seems to be more a metaphor for Brian’s demons of insecurity than any real person.The film thus touches on a kind of magical realism in dealing with chance and control—and perhaps, for the success of the ending, it is best that it does. The conscious rejection of pure realism serves to de-emphasize the role of the filmmakers, just as Happy’s entrance into Brian’s life threatens...
...Obama showed no signs of frustration. If anything, he managed a mix of realism and exuberance. During a town hall with Turkish students on the final day of his trip, Obama said of promoting peace and prosperity, "Words are good and understanding is good, but ultimately it has to translate into concrete actions ... These things take time, and the idea is that you lay the groundwork and slowly, over time, if you make small efforts, they can add up into big efforts...
...worthy sentiment and less of a distraction than I'd feared; enough English is tossed in to keep the Anglo customers from drifting off in confusion, and I, for one, do not miss the English lyrics to "I Feel Pretty." Still, it seems like a gimmick: "realism" in a genre that depends on stylization for its very existence. This is a show where gang members do ballet leaps in the streets, for gosh sakes...
...constantly “teetering on the edge of a nervous breakdown because their hemp necklace might be gay.” Boice deftly illustrates the psyche of the teenager of 1998: totally self-absorbed, yet cripplingly self-conscious.Boice’s unapologetic bluntness renders these characters with startling realism. The archetypes of high school—the hot blond gym teacher who seems perpetually stoned, the “tool” who forgoes college to live at home and buy beer for high school parties with his mom’s credit card—morph into multi...
...most part, Flying is a reminder of how entertaining a novel can be when it slips the surly bonds of realism. Kraft's characters don't talk like people actually talk. They're more witty, more astute, and they express themselves with infinitely more pizazz. This is true even of Peter's winged steed, the charmingly anthropomorphized Spirit of Babbington, which may not be an ace at lifting off but proves a surprisingly excellent road buddy. The effect is like a happy-go-lucky Nabokov, with all the road-tripping wordplay and none of the incest...